"I have been much dissatisfied with my Fulton poem. Lying down to rest this afternoon, instead of sleep, of which I felt no need, I began to try for some new lines which should waken it up a little, and think that I succeeded. I had brought no manuscript paper, so had to scrawl my amendments on Sanborn's old long envelope."

Later in the day two more lines came to her, and again two the day after. Finally, on the morning of the day itself, on awakening, she cried out,—

"I have got my last verse!"

The occasion was a notable one. The stage of the Metropolitan Opera House was filled with dignitaries, delegates from other States, foreign diplomats in brilliant uniforms. The only woman among them was the little figure in white, to greet whom, as she came forward on her son's arm, the whole great assembly rose and stood. They remained standing while she read her poem in clear unfaltering tones; the applause that rang out showed that she had once more touched the heart of the public.

This poem was printed in "Collier's Weekly," unfortunately from a copy made before the "last verse" was finished to her mind. This distressed her. "Let this be a lesson!" she said. "Never print a poem or speech till it has been delivered; always give the eleventh hour its chance!"

This eleventh hour brought a very special chance; a few days before, the world had been electrified by the news of Peary's discovery of the North Pole: it was the general voice that cried through her lips,—

The Flag of Freedom crowns the Pole!

The following letter was written while she was at work on the poem:—

To Laura

Oak Glen, July 9, 1909.

Why, yes, I'm doing the best I know how. Have written a poem for the Hudson and Fulton celebration, September 28. Worked hard at it. Guess it's only pretty good, if even that. Maud takes me out every day under the pine tree, makes me sit while she reads aloud Freeman's shorter work on Sicily. I enjoy this.... I have just read Froude's "C?sar," which Sanborn says he hates, but which I found as readable as a novel. Am also reading a work of Kuno Fischer on "Philosophy," especially relating to Descartes. Now you know, Miss, or should know, that same had great fame, and sometimes blame, as a philosopher. But he don't make no impression on my mind. I never doubted that I was, so don't need no "cogito, ergo sum," which is what Carty, old Boy, amounts to. Your letter, dear, was a very proper attention under the circumstances. Shouldn't object to another. Lemme see! objects cannot be subjects, nor vice versa. How do you know that you washed your face this morning? You don't know it, and I don't believe that you did. You might consult H. Richards about some of these particulars. He is a man of some sense. You are, bless you, not much wiser than your affectionate

Ma.

Returned to Oak Glen, after the celebration, she writes:—

To her son and his wife

Oak Glen, October 1, 1909.

... I found my trees still green, and everything comfortable. I did not dare to write to any one yesterday, my head was so full of nonsense. Reaction from brain-fatigue takes this shape with me, and everything goes "higgle-wiggledy, hi-cockalorum," or words to that effect.... We had a delightful visit with you, dear F. G. and H. M. I miss you both, and miss the lovely panorama of the hills, and the beauteous flower parterres. Well, here's for next year in early Autumn, and I hope I may see you both before that time. With thanks for kindest entertainment, and best of love,

Your very affectionate

Mother and ditto-in-law.

To George H. Richards[151]

Oak Glen, October 1, 1909.

Dear Uncle George,—

I got through all right, in spite of prospective views, of fainting fits, apoplexy, what not? Trouble is now that I cannot keep calling up some thousands of people, and saying: "Admire me, do. I wrote it all my little own self." Seriously, there is a little reaction from so much excitement. But I hope to recover my senses in time. I improved the last two stanzas much when I recited the poem. The last line read

The Flag of Freedom crowns the Pole!

I tell you, I brought it out with a will, and they all [the audience] made a great noise....

We doubt if any of the compliments pleased her so much as that of the Irish charwoman who, mop in hand, had been listening at one of the side doors of the theatre. "Oh, you dear little old lady!" she cried. "You speaked your piece real good!"

Late October finds her preparing for the move to Boston.

"I have had what I may call a spasm of gratitude to God for His great goodness to me, sitting in my pleasant little parlor, with the lovely golden trees in near view, and the devotion of my children and great kindness of my friends well in mind. Oh! help me, divine Father, to merit even a very little of Thy kindness!"

In this autumn she was elected a member of the American Academy of Arts and Letters, and in December she wrote for its first meeting a poem called "The Capitol." She greatly desired to read this poem before the association, and Maud, albeit with many misgivings, agreed to take her on to Washington. This was not to be. On learning of her intention, three officers of the association, William Dean Howells, Robert Underwood Johnson, and Thomas Nelson Page, sent her a "round-robin" telegram, begging her not to run the risk of the long winter journey. The kindly suggestion was not altogether well taken. "Ha!" she flashed out. "They think I am too old, but there's a little ginger left in the old blue jar!"

She soon realized the wisdom as well as the friendliness of the round robin, and confided to the Journal that she had been in two minds about it.

On Christmas Day she writes:—

"Thanks to God who gave us the blessed Christ. What a birth was this! Two thousand years have only increased our gratitude for it. How it has consecrated Babyhood and Maternity! Two infants, grown to man's estate, govern the civilized world to-day, Christ and Moses. I am still thankful to be here in the flesh, as they were once, and oh! that I may never pass where they are not!"

The winter of 1909-10 was a severe one, and she was more or less housed; yet the days were full and bright for her. "Life," she cried one day, "is like a cup of tea; all the sugar is at the bottom!" and again, "Oh! I must go so soon, and I am only just ready to go to college!"

When it was too cold for her to go out, she took her walk in the house, with the windows open, pacing resolutely up and down her room and the room opposite. She sat long hours at her desk, in patient toil. She was always picking up dropped stitches, trying to keep every promise, answer every note.

"Went through waste-paper basket, redeeming some bits torn to fragments, which either should be answered or recorded. Wrote an autograph for Mr. Blank. It was asked for in 1905. Had been put away and forgotten."

She got too tired that morning, and could not fully enjoy the Authors' Club in the afternoon.

"Colonel Higginson and I sat like two superannuated old idols. Each of us said a little say when the business was finished."

It is not recalled that they presented any such appearance to others.

She went to the opera, a mingled pleasure and pain.

"It was the 'Huguenots,' much of which was known to me in early youth, when I used to sing the 'Rataplan' chorus with my brothers. I sang also Valentine's prayer, 'Parmi les fleurs mon reve se ranime,' with obligato bassoon accompaniment, using the 'cello instead. I know that I sang much better that night than usual, for dear Uncle John said to me, 'You singed good!' Poor Huti played the 'cello. Now, I listened for the familiar bits, and recognized the drinking chorus in Act 1st, the 'Rataplan' in Act 2d. Valentine's prayer, if given, was so overlaid with fioritura that I did not feel sure of it. The page's pretty song was all right, but I suffered great fatigue, and the reminiscences were sad."