"This jalopy is. Maybe you can't control it. Have it your own way. I'm now going to eat breakfast in the coffee shop across the street, orange juice, bacon and eggs, toast, honey, three or four cups of coffee and a toothpick. I am then going up to my office, which is on the seventh floor of the building right opposite you. If you have anything that's worrying you beyond endurance, drop up and chew it over. I'll only be oiling my machine gun."

I left him blinking and walked away. Twenty minutes later I was airing the scrubwoman's Soiree d' Amour out of my office and opening up a thick, rough envelope addressed in a fine, old-fashioned, pointed handwriting. The envelope contained a brief formal note and a large mauve check for five hunched dollars, payable to Philip Marlowe and signed, Guy be Brisay Sternwood, by Vincent Norris. That made it a nice morning. I was making out a bank slip when the buzzer told me somebody had entered my two by four reception room. It was the little man from the Plymouth.

"Fine," I said. "Come in and shed your coat."

He slid past me carefully as I held the door, as carefully as though he feared I might plant a kick in his minute buttocks. We sat down and faced each other across the desk. He was a very small man, not more than five feet three and would hardly weigh as much as a butcher's thumb. He had tight brilliant eyes that wanted to look hard, and looked as hard as oysters on the half shell. He wore a double-breasted dark gray suit that was too wide in the shoulders and had too much lapel. Over this, open, an Irish tweed coat with some badly worn spots. A lot of foulard tie bulged out and was rainspotted above his crossed lapels.

"Maybe you know me," he said. "I'm Harry Jones."

I said I didn't know him. I pushed a flat tin of cigarettes at him. His small neat fingers speared one like a trout taking the fly. He lit it with the desk lighter and waved his hand.

"I been around," he said. "Know the boys and such. Used to do a little liquor-running down from Hueneme Point. A touch racket, brother. Riding the scout car with a gun in your lap and a wad on your hip that would choke a coal chute. Plenty of times we paid off four sets of law before we hit Beverly Hills. A tough racket."

"Terrible," I said.

He leaned back and blew smoke at the ceiling from the small tight corner of his small tight mouth.

"Maybe you don't believe me," he said.

"Maybe I don't," I said. "And maybe I do. And then again maybe I haven't bothered to make my mind up. Just what is the build-up supposed to do to me?"

"Nothing," he said tartly.

"You've been following me around for a couple, of days," I said. "Like a fellow trying to pick up a girl and lacking the last inch of nerve. Maybe you're selling insurance. Maybe you knew a fellow called Joe Brody. That's a lot of maybes, but I have a lot on hand in my business."

His eyes bulged and his lower lip almost fell in his lap. "Christ, how'd you know that?" he snapped.

"I'm psychic. Shake your business up and pour it. I haven't got all day."

The brightness of his eyes almost disappeared between the suddenly narrowed lids. There was silence. The rain pounded down on the flat tarred roof over the Mansion House lobby below my windows. His eyes opened a little, shined again, and his voice was full of thought.

"I was trying to get a line on you, sure," he said. "I've got something to sell — cheap, for a couple of C notes. How'd you tie me to Joe?"

I opened a letter and read it. It offered me a six months' correspondence course in fingerprinting at a special professional discount. I chopped it into the waste basket and looked at the little man again. "Don't mind me. I was just guessing. You're not a cop. You don't belong to Eddie Mars' outfit. I asked him last night. I couldn't think of anybody else but Joe Brody's friends who would be that much interested in me."

"Jesus," he said and licked his lower lip. His face had turned white as paper when I mentioned Eddie Mars. His mouth drooped open and his cigarette hung to the corner of it by some magic, as if it had grown there. "Aw, you're kidding me," he said at last, with the sort of smile the operating room sees.

"All right. I'm kidding you." I opened another letter. This one wanted to send me a daily newsletter from Washington, all inside stuff, straight from the cookhouse. "I suppose Agnes is loose," I added.

"Yeah. She sent me. You interested?"

"Well — she's a blonde."

"Nuts. You made a crack when you were up there that night — the night Joe got squibbed off. Something about Brody must have known something good about the Sternwoods or he wouldn't have taken the chance on that picture he sent them."

"Uh-huh. So he had? What was it?"

"That's what the two hundred bucks pays for."

I dropped some more fan mail into the basket and lit myself a fresh cigarette.

"We gotta get out of town," he said. "Agnes is a nice girl. You can't hold that stuff on her. It's not so easy for a dame to get by these days."

"She's too big for you," I said. "She'll roll on you and smother you."

"That's kind of a dirty crack, brother," he said with something that was near enough to dignity to make me stare at him.

I said: "You're right. I've been meeting the wrong kind of people lately. Let's cut out the gabble and get down to cases. What have you got for the money?"

"Would you pay for it?"

"If it does what?"

"If it helps you find Rusty Regan."

"I'm not looking for Rusty Regan."

"Says you. Want to hear it or not?"

"Go ahead and chirp. I'll pay for anything I use. Two C notes buys a lot of information in my circle."

"Eddie Mars had Regan bumped off," he said calmly, and leaned back as if he had just been made a vice-president.

I waved a hand in the direction of the door. "I wouldn't even argue with you," I said. "I wouldn't waste the oxygen. On your way, small size."

He leaned across the desk, white lines at the corners of his mouth. He snubbed his cigarette out carefully, over and over again, without looking at it. From behind a communicating door came the sound of a typewriter clacking monotonously to the bell, to the shift, line after line.

"I'm not kidding," he said.

"Beat it. Don't bother me. I have work to do."

"No you don't," he said sharply. "I ain't that easy. I came here to speak my piece and I'm speaking it. I knew Rusty myself. Not well, well enough to say 'How's a boy?' and he'd answer me or he wouldn't, according to how he felt. A nice guy though. I always liked him. He was sweet on a singer named Mona Grant. Then she changed her name to Mars. Rusty got sore and married a rich dame that hung around the joints like she couldn't sleep well at home. You know all about her, tall, dark, enough looks for a Derby winner, but the type would put a lot of pressure on a guy. High-strung. Rusty wouldn't get along with her. But Jesus, he'd get along with her old man's dough, wouldn't he? That's what you think. This Regan was a cockeyed sort of buzzard. He had long-range eyes. He was looking over into the next valley all the time. He wasn't scarcely around where he was. I don't think he gave a damn about dough. And coming from me, brother, that's a compliment."

The little man wasn't so dumb after all. A three for a quarter grifter wouldn't even think such thoughts, much less know how to express them.