"Especially animals," Mrs. White adds. "That child loved animals more than anyone I've ever met. Just so tenderhearted." She tears up. "If a bird flew into a window, he'd go running out of the house to try and find it, and then he'd come in just in hysterics if the poor thing broke its neck, which is usually what happens."
Benny's stepfather stares out the window, a pained expression on his face. His mother falls silent. She is fighting to hold herself together.
"Benny had something to eat before he died," I tell them. "I think Dr. Fielding might have asked you about that to see if he possibly was given something to eat at the church."
Mr. White shakes his head, still staring out. "No, ma'am. They don't serve food at the church except at the Wednesday-night suppers. If Benny had something to eat, I sure don't know where."
"He didn't eat here," Mrs. White adds with emphasis. "I fixed a pot roast for Sunday dinner, and well, he never had his dinner. Pot roast was one of his favorites."
"He had popcorn and hotdogs in his stomach," I say. "It appears he ate them not long before he died." I make sure they understand the oddity of this and that it demands an explanation.
Both parents have baffled expressions. Their eyes light up with both fascination and confusion. They say they have no earthly idea where Benny would have gotten hold of junk food, as they call it. Lucy asks about neighbors, if perhaps Benny might have dropped by someone's house before he went into the woods. Again, they can't imagine him doing something like that, not at dinner time, and the neighbors are mostly elderly and would never give Benny a meal or even a snack without calling his parents first to make certain it was all right. "They wouldn't spoil his dinner without asking us." Mrs. White is certain of this.
"Would you mind if I see his bedroom?" I then say. "Sometimes I get a better feel for a patient if I can see where he spent his private time."
The Whites look a little uncertain. "Well, I guess that would be all right," the stepfather decides.
They take us down a hallway to the back of the house, and along the way we pass a bedroom off to the left that looks like a girl's bedroom, with pale pink curtains and a pink bedspread. There are posters of horses on the walls, and Mrs. White explains that this is Lori's bedroom. She is Benny's younger sister and is at her grandmother's house in Williams-burg right now. She hasn't gone back to school yet and won't until after the funeral, which is tomorrow. Although they don't say it, I infer that they didn't think it was a good idea for the child to be here when the medical examiner dropped in out of the sky and started asking questions about her brother's violent death.
Benny's room is a menagerie of stuffed animals: dragons, bears, birds, squirrels, fuzzy and sweet, many of them comical. There are dozens. His parents and Lucy stay outside the doorway while I walk in and pause in the middle of the room, looking around, letting the surroundings speak to me. Taped to the walls are bright pictures done in Magic Marker, again of animals, and they show imagination and a great deal of talent. Benny was an artist. Mr. White tells me from the doorway that Benny loved to take his sketchpad outside and draw trees, birds, whatever he saw. He was always drawing pictures to give people for presents, too. Mr. White talks on while his wife cries silently, tears rolling down her face.
I am looking at a drawing on the wall to the right of the dresser. The colorful, imaginative picture depicts a man in a small boat. He wears a wide-brim hat and is fishing, his rod bent as if he might just be having some luck. Benny has drawn a bright sun and a few clouds, and in the background, on the shore, is a square building with lots of windows and doors. "Is this the creek behind your farm?" I inquire.
"That's right," Mr. White says, hooking an arm around his wife. "It's all right, sugar," he keeps saying to her, swallowing hard, as if he might start crying, too.
"Benny liked to fish?" Lucy's voice sounds from the hallway. "I'm just wondering, because some people who are big animal lovers don't like to fish. Or else they let everything go."
"Interesting point," I say. "All right to look inside his closet?" I ask the Whites.
"Go right ahead," Mr. White says without hesitation. "No, Benny didn't like to catch anything. Truth is, he just liked to go out in the boat or find him a spot on the shore. Most of the time he'd sit there drawing."
"Then this must be you, Mr. White." I look back at the picture of the man in the boat.
"No, I think that would be his daddy," Mr. White answers somberly. "His daddy used to go out in the boat with him. Truth is, I don't go out in the boat." He pauses. "Well, I don't know how to swim, so I just have this uneasiness about being in the water."
"Benny was a little shy about his drawing," Mrs. White says in a shaky voice. "I think he liked to carry his fishing pole around because, well you know, he thought it made him look like other boys. I don't think he even bothered bringing bait. Can't imagine him killing even a worm, much less a fish."
"Bread," Mr. White says. "He'd take bread, like he was going to roll it up in bread balls. I used to tell him he wasn't going to catch anything very big if all he used for bait was bread."
I scan suits, slacks and shirts on hangers, and shoes lined on the floor. The clothing is conservative and looks as if it was picked out by his parents. Leaning against the back of the closet is a Daisy BB gun and Mr. White says Benny would shoot targets and tin cans. No, he never used the BB gun on birds or anything like that. Of course not. He couldn't even bring himself to catch a fish, both parents make that point again.
On the desk is a stack of schoolbooks and a box of Magic Markers. On top of these is a sketchpad and I ask his parents if they have looked through it. They say they have not. Is it okay if I do? And they nod. I stand at the desk. I don't sit or in any way make myself at home in their dead son's room. I am respectful of the sketchpad and turn pages carefully, going through meticulous drawings in pencil. The first one is a horse in a pasture and it is surprisingly good. This is followed by several sketches of a hawk sitting in a bare tree, water in the background. Benny drew an old broken-down fence. He drew several snow scenes. The pad is half filled, and all of the sketches are consistent with each other until I get to the last few. Then the mood and the subject decidedly change. There is a night scene of a cemetery, a full moon behind bare trees softly illuminating tilting headstones. Next I turn to a hand, a muscular hand clenched in a fist, and then I find the dog. She is fat and homely and is baring her teeth, her hackles up, and she cowers, as if threatened.
I look up at the Whites. "Did Benny ever talk about the Kiffins' dog?" I ask them. "A dog named Mr. Peanut?"
The stepfather gets a peculiar expression, and his eyes brighten with tears. He sighs. "Lori's allergic," he says, as if that answers my question.
"He was always complaining about the way they treated that dog," Mrs. White helps out. "Benny wanted to know if we could take Mr. Peanut. He wanted the dog and said he thought the Kiffins would give it up, but we couldn't."
"Because of Lori," I infer.
"It was an old dog, too," Mrs. White adds.
"Was?" I ask.
"Well, it's real sad," she says. "Right after Christmas, Mr. Peanut didn't seem to be feeling well. Benny said the poor dog was shaking and licking itself a lot, like it was in pain, you know. Then maybe a week ago it must have gone off to die. You know how animals will do that. Benny went out looking for Mr. Peanut every day. It just broke my heart. That child sure did love that dog," Mrs. White adds. "I think that's the main reason he'd go over there_to play with Mr. Peanut_and he just searched high and low for her."