Harris abruptly walked off. I looked at Marino and he avoided my eyes. I was certain he had just lost what was left of his job.

"How're we doing here?" he asked Ham.

"Already running out of shit to hang this on." Ham taped one end of string over a blood droplet the size and shape of a comma. "Okay, so where do I tape the other end? How about you move that floor lamp over here. Thanks. Set it right there. Perfect," Ham said, taping the string to the lamp's finial.

"You ought to quit your day job, Captain, and come work with us."

"You would hate it," Eggleston promised.

"You got that right. Nothing I hate more than wasting my time," Marino said.

Stringing wasn't a waste of time, but it was a nightmare of tedium unless one was fond of protractors and trigonometry and had an anal-retentive mind. The point was that each droplet of blood has its individual trajectory from the impact site, or wound, to a target surface such as a wall, and depending on velocity, distance traveled and angles, droplets have many shapes that tell a gory story.

Although these days computers. could come up with the same results, the scene work required just as much time, and all of us who had testified in court had learned that jurors would rather see brightly colored string in a tangible, three-dimensional model than hatch lines on a chart. But calculating the exact position of a victim when each blow was struck was superfluous unless inches matter, and they didn't matter here. I didn't need measurements to tell me this was a homicide versus a suicide or that the killer had been enraged and frenzied and all over the place.

"We need to get her downtown," I said to Marino. "Let's get the squad up here."

"I just can't figure how he got in;" Ham said. "She's a cop. You'd think she'd know better than to open the door to a stranger."

"Assuming he was a stranger."

"Hell, he's the same damn maniac who killed the girl in the Quik Cary. Gotta be."

"Dr. Scarpetta?" Harris's voice came from the hall.

I turned around with a start. I'd thought he was gone.

"Where's her, gun? Has anybody found it?" Marino asked.

"Not so far."

"Could I see you for a minute, please?" Harris asked me.

Marino threw Harris a dirty look and stepped into the bathroom, calling out a little too loudly, "You guys know to check the drains and pipes, right?"

"We'll get there, boss."

I joined Harris in the hall and he moved us away from the door where no one could hear what he had to say. Richmond's police chief had surrendered to tragedy. Anger had turned to fear, and that, I suspected, was what he didn't want his troops to see. His suit jacket was draped over an arm, his shirt collar open and tie loose. He was having a hard time breathing.

"Are you all right?" I asked.

"Asthma."

"You have your inhaler?"

"Just used it."

"Take it easy, Chief Harris;" I calmly said, because asthma could get dangerous fast and stress made everything worse.

"Look," he said, "there've been rumors. That she was involved in certain activities in D.C. I didn't know anything about it when I hired her. Where she gets her money," he added, as if Diane Bray weren't- dead. "And I know Anderson follows her around like a puppy."

"Maybe followed her when Bray didn't know it, as well," I said.

"We've got her in a patrol car," he said, as if this were news to me.

"As a rule, it's not my place to voice opinions about who's guilty of murder," I replied, "but I don't think Anderson committed this one."

He got out his inhaler again and took two puffs.

"Chief Harris, we've got a sadistic killer out there who murdered Kim Luong. The M.O. here is the same. It's too unique to be someone else. There aren't enough details known for it to be a copycat-many details are known only by Marino and me."

He struggled to breathe.

"Do you understand what I'm saying?" I asked. "Do you want others to die like this? Because it will happen again. And soon. This guy's losing control at a lightning rate. Maybe because he left his safe haven in Paris and now he's like a hunted wild animal with no place to run? And he's enraged, desperate. Maybe he feels challenged and he's taunting us;" I added as I wondered what Benton would have said. "Who knows what goes on inside a mind like that."

Harris cleared his throat.

"What do you want me to do?" he asked.

"A press release, and I mean now. We know he speaks French. He may have a congenital disorder that results in excessive hairiness. He may have long pale hair on his body. He may shave his entire face, neck and head, and have deformed dentition, widely spaced, small, pointed teeth. His face is probably going to look odd, too."

"Jesus Christ"

"Marino needs to handle this," I told him, as if it were my right to do so.

"What did you say? We're supposed to tell the public we're looking for some man with hair all over his body and pointed teeth? You want to start a panic like this city's never seen?" He couldn't catch his breath.

"Calm down. Please."

I put my fingers on his neck to check his pulse. It was running away with his life. I walked him into the living room and made him sit down. I brought him a glass of water and massaged his shoulders, talking quietly to him, gently coaxing him to be still, until he was soothed and breathing again.

"You don't need the pressure of this," I said. "Marino should be working these cases, not riding around in a uniform all night. God help you if he's not working these homicides. God help all of us."

Harris nodded. He got up and moved in slow steps back to the doorway.of that terrible scene. Marino was rooting around in the walk-in closet by now.

"Captain Marino," Harris said.

Marino stopped what he was doing and gave his chief a defiant look.

"You're in charge," Harris said to him. "Let me know if there's anything you need."

Marino's gloved hands went through a section of skirts.

"I want to talk to Anderson," he said.

Rene Anderson's face was as hard and glazed as the glass she stared through when attendants carried Diane Bray's pouched body past on a stretcher and loaded it into a van. It was still raining.

Dogged reporters and photographers poised like swimmers on blocks, all of them staring at Marino and the as we approached the patrol car. Marino opened Anderson's passenger's door and poked his head inside.

"We need to have a little chat," he said to her.

Her frightened eyes jumped from him to me.

"Come on," Marino said.

"I've got nothing to say to her," she said, glancing at me.

"I guess the doc must think you do," Marino said. "Come on. Get out. Don't make me have to help you."

"I don't want them taking pictures!" she exclaimed, and it was too late.

Cameras were already on her like a storm of hurled spears.

"Just put your coat over your head to cover your face like you see on TV," Marino said with a trace of sarcasm.

I walked over to the removal van to have a word with the two attendants as they shut the tailgate doors.

"When you get there," I said as cold raindrops fell and my hair began to drip, "I want the body escorted into the cooler with security present. I want you to contact Dr. Fielding and make sure he supervises."

"Yes, ma'am."

"And we don't talk about this to anyone."

"Never do."

"But especially not this one. Not one word," I said.

"We sure wouldn't:"

They climbed inside the van and backed out as I walked to the house and paid no attention to questions and cameras and flashes going off. Marino and Anderson sat in the living room, and Diane Bray's clocks said it was eleven-thirty now. Anderson's jeans were wet, and her shoes were caked with mud and grass, as if she'd fallen down at some point. She was cold and trembling.