Pike was good. He had his gun in his hand. He’d cleared leather. But the gun was pointing at the floor and Pike was taking a step backward, then another. Then he suddenly went down and lay on his back on the floor with his mouth open and blood soaking into his shirt front.

When Pike went down, everything stopped.

Virgil stood still by the bar with his Colt in his hand. I was flattened against the wall with my Colt out, and Pony stood across in a crouch, with his weapon out and another Colt stuck in his waistband. The room buzzed with silence.

“We got you from three corners,” Virgil said. “And we can shoot. You want to stay with this, we’ll kill you. And with Pike gone, what is there to die for?”

The remainder of Pike’s crew stood uncertainly. They had their hands near their guns, but none of them had drawn.

“You leave them weapons in the holsters,” Virgil said. “And get out of here and keep going, you gonna live. I see you again and I’ll kill you.”

One of the men said, “I’m leaving,” and with his gun holstered walked out of the room. In a moment three others went after him. Virgil watched them go, then walked slowly around the room.

“Since Marshal Choctaw said nobody can wear guns, the only ones who’d be wearing one now,” Virgil said, “would be Pike’s people.”

He moved from person to person. Pony and I held position.

“So I figure you got a gun, you’re with Pike, and you want to use it,” Virgil said.

Two men sitting in the back stood suddenly. Virgil turned easily toward them. One of the men put his hands up.

“We was with Pike,” he said. “But we don’t want no trouble.”

Virgil nodded and pointed toward the door. Both men walked out. There were no other guns in the room. When he got through looking, Virgil went and glanced at what had fallen from the balcony. It was a Winchester. He looked up and Choctaw was there, head down, half over the balcony railing. Virgil studied him for a moment.

Then he said, “Allie?”

There was a sudden tumble of footsteps from the balcony, and Allie came running down the stairs with Laurel behind her. Allie was carrying the short Colt that Virgil had given her. She kept on coming when she reached the saloon and lunged against Virgil, with Laurel right behind her.

Very gracefully, Virgil took the gun from her hand as she embraced him. He handed the gun to me, as Laurel embraced him, too. Virgil, looking a little embarrassed, put an arm around each of them. I looked up at the balcony. Frisco was standing there, looking down. She smiled and nodded. I nodded back.

Pony reloaded and holstered his weapon. I reloaded the eight-gauge and the short Colt that Allie had used. Despite an arm around each woman, Virgil was putting a fresh shell into his Colt, working carefully behind their heads. I smiled to myself.

Pony walked over to me.

“Just ’cause you can shoot,” I said, “don’t mean I want to hug you.”

“No hug?” he said.

“No,” I said.

Pony grinned.

“Good,” he said.

69

THE SIGN OUTSIDE OUR OFFICE read CHAUNCEY BROWN, TOWN MARSHAL. We went in, Virgil, the women, Pony, and me. I got a hammer and knocked the marshal sign off, and went back in.

Virgil looked at Allie and smiled.

“So that’s where Choctaw was,” he said.

“He was fixin’ to shoot you,” Allie said.

Virgil nodded.

“They was all fixin’ to shoot us,” Virgil said. “Tell me about Choctaw.”

Laurel was sitting beside Allie on the couch. She was looking at Allie and at Virgil, and sometimes at Pony and at me. She sat perfectly still. She was still silent, but it was, somehow, a lively silence, as if she wanted to jump around.

“Well…” Allie said.

Allie’s stories were often long. If you asked her what was for supper, she’d start with when she went for groceries yesterday. But Virgil didn’t push her.

“Pony brought us into town, and we snuck up the back outside stairs and no one paid us no mind. Anybody saw us probably figured we was just some whores coming to work.”

She looked at Pony and smiled.

“With a customer,” she said.

Virgil nodded.

“And Frisco let us in, and said she’d go down the hall and stay with another whore and we could have the room to ourselves. It was a nice room for a whore. I mean, some of the rooms I’ve…”

She stopped.

“Anyway, Pony left us and said he’d be downstairs in the saloon, and he went and we locked the door and I took out the gun you gave me, and we both went and watched out the window till we seen you ride into town. Then, a’course, we both run to the door to listen, see what was going to happen.”

As she talked, I stood in the doorway and kept an eye on the street. I saw the undertaker’s wagon go by, headed for Pike’s Palace. Otherwise, everything was quiet.

“And all of a sudden we hear men talking right outside the door. And one of them, I think it was Mr. Pike, one of them says, ‘You can’t find the women?’ And the other one says, ‘They ain’t at the house.’ And the first one, I’m sure it’s Mr. Pike, says, ‘He took them or he hid them. We’ll find them after we get through with Cole.’ ”

Virgil sat in his chair, perfectly still, listening. Pony stood and got a dipper of water and drank.

“Well,” Allie said, “you can imagine how we felt. But we’re listening and listening. And Choctaw says to Pike, ‘How many are they,’ and Mr. Pike says, ‘Two.’ And Choctaw says, ‘Cole and Hitch?’ And Mr. Pike says, ‘Yes.’ And Choctaw says, ‘They that good?’ And Pike says, ‘Don’t matter how good they are, ’cause you’re gonna be up here with a Winchester.’ ”

Allie was having a good time. She paused now, and looked at all of us.

“And Choctaw says, ‘How you want it to go?’ And Mr. Pike says, ‘You get him in your sights and when I say I believe I can beat you, I’ll step aside and you kill him.’ Well, let me tell you,” Allie said, “my blood ’bout froze when he said that. And Choctaw says, ‘Kill Cole first?’ and Pike says, ‘Yes, then Hitch.’ And Choctaw says, ‘Everybody else in place?’ And Mr. Pike says, ‘Yes, got eight guns in the room, including Abner.’ And then they’re quiet, and I hear them moving around outside my door, and then Mr. Pike says, ‘See him?’ And Choctaw says, ‘Got him.’ Then Mr. Pike says, ‘Okay.’ And I hear him walk away.”

Laurel, sill wordless and not moving, somehow radiated excitement. She leaned suddenly toward Allie and made a rolling motion with her hands. Allie nodded and smiled at her. Pony drank some more water. Virgil never moved. I looked back up the street. The undertaker’s wagon was no longer in sight.

“So,” Allie said, making the small word sound long. “I put on the chain bolt and I peek out, and there he is, five feet away, behind one of the drapes, with a rifle. So I aim at him, and I wait. And I can hear your voice and Mr. Pike’s, and I wait and then I hear Pike say, ‘I believe…’ And Choctaw steps out from behind the drape and I shot him in the middle of the back, like you told me, aim for the middle, and Choctaw doubles backwards and snaps forward, and the rifle falls over the balcony and he falls on the railing, and then everybody downstairs starts shooting and I slammed the door and locked it, and then I heard you call me. And I opened it and we came down and…”

“I know the rest,” Virgil said quietly.

“Yes,” Allie said. “Of course you do.”