As the punch disappeared, Mr. Micawber became still more friendly and convivial. Mrs. Micawber's spirits becoming elevated, too, we sang 'Auld Lang Syne'. When we came to 'Here's a hand, my trusty frere', we all joined hands round the table; and when we declared we would 'take a right gude Willie Waught', and hadn't the least idea what it meant, we were really affected.

In a word, I never saw anybody so thoroughly jovial as Mr. Micawber was, down to the very last moment of the evening, when I took a hearty farewell of himself and his amiable wife. Consequently, I was not prepared, at seven o'clock next morning, to receive the following communication, dated half past nine in the evening; a quarter of an hour after I had left him: — 'My DEAR YOUNG FRIEND, 'The die is cast — all is over. Hiding the ravages of care with a sickly mask of mirth, I have not informed you, this evening, that there is no hope of the remittance! Under these circumstances, alike humiliating to endure, humiliating to contemplate, and humiliating to relate, I have discharged the pecuniary liability contracted at this establishment, by giving a note of hand, made payable fourteen days after date, at my residence, Pentonville, London. When it becomes due, it will not be taken up. The result is destruction. The bolt is impending, and the tree must fall.

'Let the wretched man who now addresses you, my dear Copperfield, be a beacon to you through life. He writes with that intention, and in that hope. If he could think himself of so much use, one gleam of day might, by possibility, penetrate into the cheerless dungeon of his remaining existence — though his longevity is, at present (to say the least of it), extremely problematical.

'This is the last communication, my dear Copperfield, you will ever receive 'From 'The 'Beggared Outcast, 'WILKINS MICAWBER.'

I was so shocked by the contents of this heart-rending letter, that I ran off directly towards the little hotel with the intention of taking it on my way to Doctor Strong's, and trying to soothe Mr.

Micawber with a word of comfort. But, half-way there, I met the London coach with Mr. and Mrs. Micawber up behind; Mr. Micawber, the very picture of tranquil enjoyment, smiling at Mrs. Micawber's conversation, eating walnuts out of a paper bag, with a bottle sticking out of his breast pocket. As they did not see me, I thought it best, all things considered, not to see them. So, with a great weight taken off my mind, I turned into a by-street that was the nearest way to school, and felt, upon the whole, relieved that they were gone; though I still liked them very much, nevertheless.

CHAPTER 18

A RETROSPECT

My school-days! The silent gliding on of my existence — the unseen, unfelt progress of my life — from childhood up to youth!

Let me think, as I look back upon that flowing water, now a dry channel overgrown with leaves, whether there are any marks along its course, by which I can remember how it ran.

A moment, and I occupy my place in the Cathedral, where we all went together, every Sunday morning, assembling first at school for that purpose. The earthy smell, the sunless air, the sensation of the world being shut out, the resounding of the organ through the black and white arched galleries and aisles, are wings that take me back, and hold me hovering above those days, in a half-sleeping and half-waking dream.

I am not the last boy in the school. I have risen in a few months, over several heads. But the first boy seems to me a mighty creature, dwelling afar off, whose giddy height is unattainable.

Agnes says 'No,' but I say 'Yes,' and tell her that she little thinks what stores of knowledge have been mastered by the wonderful Being, at whose place she thinks I, even I, weak aspirant, may arrive in time. He is not my private friend and public patron, as Steerforth was, but I hold him in a reverential respect. I chiefly wonder what he'll be, when he leaves Doctor Strong's, and what mankind will do to maintain any place against him.

But who is this that breaks upon me? This is Miss Shepherd, whom I love.

Miss Shepherd is a boarder at the Misses Nettingalls' establishment. I adore Miss Shepherd. She is a little girl, in a spencer, with a round face and curly flaxen hair. The Misses Nettingalls' young ladies come to the Cathedral too. I cannot look upon my book, for I must look upon Miss Shepherd. When the choristers chaunt, I hear Miss Shepherd. In the service I mentally insert Miss Shepherd's name — I put her in among the Royal Family.

At home, in my own room, I am sometimes moved to cry out, 'Oh, Miss Shepherd!' in a transport of love.

For some time, I am doubtful of Miss Shepherd's feelings, but, at length, Fate being propitious, we meet at the dancing-school. I have Miss Shepherd for my partner. I touch Miss Shepherd's glove, and feel a thrill go up the right arm of my jacket, and come out at my hair. I say nothing to Miss Shepherd, but we understand each other. Miss Shepherd and myself live but to be united.

Why do I secretly give Miss Shepherd twelve Brazil nuts for a present, I wonder? They are not expressive of affection, they are difficult to pack into a parcel of any regular shape, they are hard to crack, even in room doors, and they are oily when cracked; yet I feel that they are appropriate to Miss Shepherd. Soft, seedy biscuits, also, I bestow upon Miss Shepherd; and oranges innumerable. Once, I kiss Miss Shepherd in the cloak-room.

Ecstasy! What are my agony and indignation next day, when I hear a flying rumour that the Misses Nettingall have stood Miss Shepherd in the stocks for turning in her toes!

Miss Shepherd being the one pervading theme and vision of my life, how do I ever come to break with her? I can't conceive. And yet a coolness grows between Miss Shepherd and myself. Whispers reach me of Miss Shepherd having said she wished I wouldn't stare so, and having avowed a preference for Master Jones — for Jones! a boy of no merit whatever! The gulf between me and Miss Shepherd widens.

At last, one day, I meet the Misses Nettingalls' establishment out walking. Miss Shepherd makes a face as she goes by, and laughs to her companion. All is over. The devotion of a life — it seems a life, it is all the same — is at an end; Miss Shepherd comes out of the morning service, and the Royal Family know her no more.

I am higher in the school, and no one breaks my peace. I am not at all polite, now, to the Misses Nettingalls' young ladies, and shouldn't dote on any of them, if they were twice as many and twenty times as beautiful. I think the dancing-school a tiresome affair, and wonder why the girls can't dance by themselves and leave us alone. I am growing great in Latin verses, and neglect the laces of my boots. Doctor Strong refers to me in public as a promising young scholar. Mr. Dick is wild with joy, and my aunt remits me a guinea by the next post.

The shade of a young butcher rises, like the apparition of an armed head in Macbeth. Who is this young butcher? He is the terror of the youth of Canterbury. There is a vague belief abroad, that the beef suet with which he anoints his hair gives him unnatural strength, and that he is a match for a man. He is a broad-faced, bull-necked, young butcher, with rough red cheeks, an ill-conditioned mind, and an injurious tongue. His main use of this tongue, is, to disparage Doctor Strong's young gentlemen. He says, publicly, that if they want anything he'll give it 'em. He names individuals among them (myself included), whom he could undertake to settle with one hand, and the other tied behind him.

He waylays the smaller boys to punch their unprotected heads, and calls challenges after me in the open streets. For these sufficient reasons I resolve to fight the butcher.

It is a summer evening, down in a green hollow, at the corner of a wall. I meet the butcher by appointment. I am attended by a select body of our boys; the butcher, by two other butchers, a young publican, and a sweep. The preliminaries are adjusted, and the butcher and myself stand face to face. In a moment the butcher lights ten thousand candles out of my left eyebrow. In another moment, I don't know where the wall is, or where I am, or where anybody is. I hardly know which is myself and which the butcher, we are always in such a tangle and tussle, knocking about upon the trodden grass. Sometimes I see the butcher, bloody but confident; sometimes I see nothing, and sit gasping on my second's knee; sometimes I go in at the butcher madly, and cut my knuckles open against his face, without appearing to discompose him at all. At last I awake, very queer about the head, as from a giddy sleep, and see the butcher walking off, congratulated by the two other butchers and the sweep and publican, and putting on his coat as he goes; from which I augur, justly, that the victory is his.