The dinner was the counterpart of yesterday's, except that the Major was twenty-four hours more triumphant and less mysterious. Edith was toasted again. Mr Dombey was again agreeably embarrassed. And Mr Carker was full of interest and praise.

There were no other visitors at Mrs Skewton's. Edith's drawings were strewn about the room, a little more abundantly than usual perhaps; and Withers, the wan page, handed round a little stronger tea. The harp was there; the piano was there; and Edith sang and played. But even the music was played by Edith to Mr Dombey's order, as it were, in the same uncompromising way. As thus.

'Edith, my dearest love,' said Mrs Skewton, half an hour after tea, 'Mr Dombey is dying to hear you, I know.'

'Mr Dombey has life enough left to say so for himself, Mama, I have no doubt.'

'I shall be immensely obliged,' said Mr Dombey.

'What do you wish?'

'Piano?' hesitated Mr Dombey.

'Whatever you please. You have only to choose.

Accordingly, she began with the piano. It was the same with the harp; the same with her singing; the same with the selection of the pieces that she sang and played. Such frigid and constrained, yet prompt and pointed acquiescence with the wishes he imposed upon her, and on no one else, was sufficiently remarkable to penetrate through all the mysteries of picquet, and impress itself on Mr Carker's keen attention. Nor did he lose sight of the fact that Mr Dombey was evidently proud of his power, and liked to show it.

Nevertheless, Mr Carker played so well — some games with the Major, and some with Cleopatra, whose vigilance of eye in respect of Mr Dombey and Edith no lynx could have surpassed — that he even heightened his position in the lady-mother's good graces; and when on taking leave he regretted that he would be obliged to return to London next morning, Cleopatra trusted: community of feeling not being met with every day: that it was far from being the last time they would meet.

'I hope so,' said Mr Carker, with an expressive look at the couple in the distance, as he drew towards the door, following the Major. 'I think so.'

Mr Dombey, who had taken a stately leave of Edith, bent, or made some approach to a bend, over Cleopatra's couch, and said, in a low voice: 'I have requested Mrs Granger's permission to call on her to-morrow morning — for a purpose — and she has appointed twelve o'clock. May I hope to have the pleasure of finding you at home, Madam, afterwards?'

Cleopatra was so much fluttered and moved, by hearing this, of course, incomprehensible speech, that she could only shut her eyes, and shake her head, and give Mr Dombey her hand; which Mr Dombey, not exactly knowing what to do with, dropped.

'Dombey, come along!' cried the Major, looking in at the door.

'Damme, Sir, old Joe has a great mind to propose an alteration in the name of the Royal Hotel, and that it should be called the Three Jolly Bachelors, in honour of ourselves and Carker.' With this, the Major slapped Mr Dombey on the back, and winking over his shoulder at the ladies, with a frightful tendency of blood to the head, carried him off.

Mrs Skewton reposed on her sofa, and Edith sat apart, by her harp, in silence. The mother, trifling with her fan, looked stealthily at the daughter more than once, but the daughter, brooding gloomily with downcast eyes, was not to be disturbed.

Thus they remained for a long hour, without a word, until Mrs Skewton's maid appeared, according to custom, to prepare her gradually for night. At night, she should have been a skeleton, with dart and hour-glass, rather than a woman, this attendant; for her touch was as the touch of Death. The painted object shrivelled underneath her hand; the form collapsed, the hair dropped off, the arched dark eyebrows changed to scanty tufts of grey; the pale lips shrunk, the skin became cadaverous and loose; an old, worn, yellow, nodding woman, with red eyes, alone remained in Cleopatra's place, huddled up, like a slovenly bundle, in a greasy flannel gown.

The very voice was changed, as it addressed Edith, when they were alone again.

'Why don't you tell me,' it said sharply, 'that he is coming here to-morrow by appointment?'

'Because you know it,' returned Edith, 'Mother.'

The mocking emphasis she laid on that one word! 'You know he has bought me,' she resumed. 'Or that he will, to-morrow. He has considered of his bargain; he has shown it to his friend; he is even rather proud of it; he thinks that it will suit him, and may be had sufficiently cheap; and he will buy to-morrow.

God, that I have lived for this, and that I feel it!'

Compress into one handsome face the conscious self-abasement, and the burning indignation of a hundred women, strong in passion and in pride; and there it hid itself with two white shuddering arms.

'What do you mean?' returned the angry mother. 'Haven't you from a child — '

'A child!' said Edith, looking at her, 'when was I a child? What childhood did you ever leave to me? I was a woman — artful, designing, mercenary, laying snares for men — before I knew myself, or you, or even understood the base and wretched aim of every new display I learnt You gave birth to a woman. Look upon her. She is in her pride tonight'

And as she spoke, she struck her hand upon her beautiful bosom, as though she would have beaten down herself 'Look at me,' she said, 'who have never known what it is to have an honest heart, and love. Look at me, taught to scheme and plot when children play; and married in my youth — an old age of design — to one for whom I had no feeling but indifference. Look at me, whom he left a widow, dying before his inheritance descended to him — a judgment on you! well deserved! — and tell me what has been my life for ten years since.'

'We have been making every effort to endeavour to secure to you a good establishment,' rejoined her mother. 'That has been your life.

And now you have got it.'

'There is no slave in a market: there is no horse in a fair: so shown and offered and examined and paraded, Mother, as I have been, for ten shameful years,' cried Edith, with a burning brow, and the same bitter emphasis on the one word. 'Is it not so? Have I been made the bye-word of all kinds of men? Have fools, have profligates, have boys, have dotards, dangled after me, and one by one rejected me, and fallen off, because you were too plain with all your cunning: yes, and too true, with all those false pretences: until we have almost come to be notorious? The licence of look and touch,' she said, with flashing eyes, 'have I submitted to it, in half the places of resort upon the map of England? Have I been hawked and vended here and there, until the last grain of self-respect is dead within me, and I loathe myself?

Has been my late childhood? I had none before. Do not tell me that I had, tonight of all nights in my life!'

'You might have been well married,' said her mother, 'twenty times at least, Edith, if you had given encouragement enough.'

'No! Who takes me, refuse that I am, and as I well deserve to be,' she answered, raising her head, and trembling in her energy of shame and stormy pride, 'shall take me, as this man does, with no art of mine put forth to lure him. He sees me at the auction, and he thinks it well to buy me. Let him! When he came to view me — perhaps to bid — he required to see the roll of my accomplishments. I gave it to him.

When he would have me show one of them, to justify his purchase to his men, I require of him to say which he demands, and I exhibit it. I will do no more. He makes the purchase of his own will, and with his own sense of its worth, and the power of his money; and I hope it may never disappoint him. I have not vaunted and pressed the bargain; neither have you, so far as I have been able to prevent you.

'You talk strangely to-night, Edith, to your own Mother.'