'Remove your hand!' said Harriet, recoiling. 'Go away! Your touch is dreadful to me!'

'I have done this,' pursued the other, with her eager look, regardless of the interruption. 'Do I speak and look as if I really had? Do you believe what I am saying?'

'I fear I must. Let my arm go!'

'Not yet. A moment more. You can think what my revengeful purpose must have been, to last so long, and urge me to do this?'

'Dreadful!' said Harriet.

'Then when you see me now,' said Alice hoarsely, 'here again, kneeling quietly on the ground, with my touch upon your arm, with my eyes upon your face, you may believe that there is no common earnestness in what I say, and that no common struggle has been battling in my breast. I am ashamed to speak the words, but I relent.

I despise myself; I have fought with myself all day, and all last night; but I relent towards him without reason, and wish to repair what I have done, if it is possible. I wouldn't have them come together while his pursuer is so blind and headlong. If you had seen him as he went out last night, you would know the danger better.

'How can it be prevented? What can I do?' cried Harriet.

'All night long,' pursued the other, hurriedly, 'I had dreams of him — and yet I didn't sleep — in his blood. All day, I have had him near me.

'What can I do?' cried Harriet, shuddering at these words.

'If there is anyone who'll write, or send, or go to him, let them lose no time. He is at Dijon. Do you know the name, and where it is?'

'Yes.'

'Warn him that the man he has made his enemy is in a frenzy, and that he doesn't know him if he makes light of his approach. Tell him that he is on the road — I know he is! — and hurrying on. Urge him to get away while there is time — if there is time — and not to meet him yet. A month or so will make years of difference. Let them not encounter, through me. Anywhere but there! Any time but now! Let his foe follow him, and find him for himself, but not through me! There is enough upon my head without.'

The fire ceased to be reflected in her jet black hair, uplifted face, and eager eyes; her hand was gone from Harriet's arm; and the place where she had been was empty.

Tea-time, an hour short of midnight; the place, a French apartment, comprising some half-dozen rooms; — a dull cold hall or corridor, a dining-room, a drawing-room, a bed-room, and an inner drawingroom, or boudoir, smaller and more retired than the rest. All these shut in by one large pair of doors on the main staircase, but each room provided with two or three pairs of doors of its own, establishing several means of communication with the remaining portion of the apartment, or with certain small passages within the wall, leading, as is not unusual in such houses, to some back stairs with an obscure outlet below. The whole situated on the first floor of so large an Hotel, that it did not absorb one entire row of windows upon one side of the square court-yard in the centre, upon which the whole four sides of the mansion looked.

An air of splendour, sufficiently faded to be melancholy, and sufficiently dazzling to clog and embarrass the details of life with a show of state, reigned in these rooms The walls and ceilings were gilded and painted; the floors were waxed and polished; crimson drapery hung in festoons from window, door, and mirror; and candelabra, gnarled and intertwisted like the branches of trees, or horns of animals, stuck out from the panels of the wall. But in the day-time, when the lattice-blinds (now closely shut) were opened, and the light let in, traces were discernible among this finery, of wear and tear and dust, of sun and damp and smoke, and lengthened intervals of want of use and habitation, when such shows and toys of life seem sensitive like life, and waste as men shut up in prison do. Even night, and clusters of burning candles, could not wholly efface them, though the general glitter threw them in the shade.

The glitter of bright tapers, and their reflection in looking-glasses, scraps of gilding and gay colours, were confined, on this night, to one room — that smaller room within the rest, just now enumerated. Seen from the hall, where a lamp was feebly burning, through the dark perspective of open doors, it looked as shining and precious as a gem. In the heart of its radiance sat a beautiful woman — Edith.

She was alone. The same defiant, scornful woman still. The cheek a little worn, the eye a little larger in appearance, and more lustrous, but the haughty bearing just the same. No shame upon her brow; no late repentance bending her disdainful neck. Imperious and stately yet, and yet regardless of herself and of all else, she sat wIth her dark eyes cast down, waiting for someone.

No book, no work, no occupation of any kind but her own thought, beguiled the tardy time. Some purpose, strong enough to fill up any pause, possessed her. With her lips pressed together, and quivering if for a moment she released them from her control; with her nostril inflated; her hands clasped in one another; and her purpose swelling in her breast; she sat, and waited.

At the sound of a key in the outer door, and a footstep in the hall, she started up, and cried 'Who's that?' The answer was in French, and two men came in with jingling trays, to make preparation for supper.

'Who had bade them to do so?' she asked.

'Monsieur had commanded it, when it was his pleasure to take the apartment. Monsieur had said, when he stayed there for an hour, en route, and left the letter for Madame — Madame had received it surely?'

'Yes.'

'A thousand pardons! The sudden apprehension that it might have been forgotten had struck hIm;' a bald man, with a large beard from a neighbouring restaurant; 'with despair! Monsieur had said that supper was to be ready at that hour: also that he had forewarned Madame of the commands he had given, in his letter. Monsieur had done the Golden Head the honour to request that the supper should be choice and delicate. Monsieur would find that his confidence in the Golden Head was not misplaced.'

Edith said no more, but looked on thoughtfully while they prepared the table for two persons, and set the wine upon it. She arose before they had finished, and taking a lamp, passed into the bed-chamber and into the drawing-room, where she hurriedly but narrowly examined all the doors; particularly one in the former room that opened on the passage in the wall. From this she took the key, and put it on the outer side. She then came back.

The men — the second of whom was a dark, bilious subject, in a jacket, close shaved, and with a black head of hair close cropped — had completed their preparation of the table, and were standing looking at it. He who had spoken before, inquired whether Madame thought it would be long before Monsieur arrived? 'She couldn't say. It was all one.'

'Pardon! There was the supper! It should be eaten on the instant.

Monsieur (who spoke French like an Angel — or a Frenchman — it was all the same) had spoken with great emphasis of his punctuality. But the English nation had so grand a genius for punctuality. Ah! what noise!

Great Heaven, here was Monsieur. Behold him!'

In effect, Monsieur, admitted by the other of the two, came, with his gleaming teeth, through the dark rooms, like a mouth; and arriving in that sanctuary of light and colour, a figure at full length, embraced Madame, and addressed her in the French tongue as his charming wife 'My God! Madame is going to faint. Madame is overcome with joy!'

The bald man with the beard observed it, and cried out.

Madame had only shrunk and shivered. Before the words were spoken, she was standing with her hand upon the velvet back of a great chair; her figure drawn up to its full height, and her face immoveable.