One of the men who came up here often to look for the boats was followed by his dog. The dog is always with him. They are both quiet persons, and I never saw the man angry, nor heard the dog bark. During the service the dog would not come to its master, who was on the seat with us, but kept a few yards off, barking and howling. Its master spoke to it gently, and then harshly, and then angrily. But it would neither come nor cease to make a noise. It was in a fury, with its eyes savage, and all its hair bristling out like a cat's tail when puss is on the war path.

Finally the man too got angry, and jumped down and kicked the dog, and then took it by the scruff of the neck and half dragged and half threw it on the tombstone on which the seat is fixed. The moment it touched the stone the poor thing began to tremble. It did not try to get away, but crouched down, quivering and cowering, and was in such a pitiable state of terror that I tried, though without effect, to comfort it.

Lucy was full of pity, too, but she did not attempt to touch the dog, but looked at it in an agonised sort of way. I greatly fear that she is of too super sensitive a nature to go through the world without trouble. She will be dreaming of this tonight, I am sure. The whole agglomeration of things, the ship steered into port by a dead man, his attitude, tied to the wheel with a crucifix and beads, the touching funeral, the dog, now furious and now in terror, will all afford material for her dreams.

I think it will be best for her to go to bed tired out physically, so I shall take her for a long walk by the cliffs to Robin Hood's Bay and back. She ought not to have much inclination for sleep-walking then.

MINA MURRAY'S JOURNAL

Same day, 11 o'clock P.M. — Oh, but I am tired! If it were not that I had made my diary a duty I should not open it tonight. We had a lovely walk. Lucy, after a while, was in gay spirits, owing, I think, to some dear cows who came nosing towards us in a field close to the lighthouse, and frightened the wits out of us. I believe we forgot everything, except of course, personal fear, and it seemed to wipe the slate clean and give us a fresh start. We had a capital 'severe tea' at Robin Hood's Bay in a sweet little old-fashioned inn, with a bow window right over the seaweed-covered rocks of the strand. I believe we should have shocked the 'New Woman' with our appetites. Men are more tolerant, bless them! Then we walked home with some, or rather many, stoppages to rest, and with our hearts full of a constant dread of wild bulls.

Lucy was really tired, and we intended to creep off to bed as soon as we could. The young curate came in, however, and Mrs. Westenra asked him to stay for supper. Lucy and I had both a fight for it with the dusty miller. I know it was a hard fight on my part, and I am quite heroic. I think that some day the bishops must get together and see about breeding up a new class of curates, who don't take supper, no matter how hard they may be pressed to, and who will know when girls are tired.

Lucy is asleep and breathing softly. She has more colour in her cheeks than usual, and looks, oh so sweet. If Mr. Holmwood fell in love with her seeing her only in the drawing room, I wonder what he would say if he saw her now. Some of the 'New Women' writers will some day start an idea that men and women should be allowed to see each other asleep before proposing or accepting. But I suppose the 'New Woman' won't condescend in future to accept. She will do the proposing herself. And a nice job she will make of it too! There's some consolation in that. I am so happy tonight, because dear Lucy seems better. I really believe she has turned the corner, and that we are over her troubles with dreaming. I should be quite happy if I only knew if Jonathan... God bless and keep him.

11 August. — Diary again. No sleep now, so I may as well write. I am too agitated to sleep. We have had such an adventure, such an agonizing experience. I fell asleep as soon as I had closed my diary.... Suddenly I became broad awake, and sat up, with a horrible sense of fear upon me, and of some feeling of emptiness around me. The room was dark, so I could not see Lucy's bed. I stole across and felt for her. The bed was empty. I lit a match and found that she was not in the room. The door was shut, but not locked, as I had left it. I feared to wake her mother, who has been more than usually ill lately, so threw on some clothes and got ready to look for her. As I was leaving the room it struck me that the clothes she wore might give me some clue to her dreaming intention. Dressing-gown would mean house, dress outside. Dressing-gown and dress were both in their places. "Thank God," I said to myself, "she cannot be far, as she is only in her nightdress."

I ran downstairs and looked in the sitting room. Not there! Then I looked in all the other rooms of the house, with an ever-growing fear chilling my heart. Finally, I came to the hall door and found it open. It was not wide open, but the catch of the lock had not caught. The people of the house are careful to lock the door every night, so I feared that Lucy must have gone out as she was. There was no time to think of what might happen. A vague over-mastering fear obscured all details.

I took a big, heavy shawl and ran out. The clock was striking one as I was in the Crescent, and there was not a soul in sight. I ran along the North Terrace, but could see no sign of the white figure which I expected. At the edge of the West Cliff above the pier I looked across the harbour to the East Cliff, in the hope or fear, I don't know which, of seeing Lucy in our favourite seat.

There was a bright full moon, with heavy black, driving clouds, which threw the whole scene into a fleeting diorama of light and shade as they sailed across. For a moment or two I could see nothing, as the shadow of a cloud obscured St. Mary's Church and all around it. Then as the cloud passed I could see the ruins of the abbey coming into view, and as the edge of a narrow band of light as sharp as a sword-cut moved along, the church and churchyard became gradually visible. Whatever my expectation was, it was not disappointed, for there, on our favourite seat, the silver light of the moon struck a half-reclining figure, snowy white. The coming of the cloud was too quick for me to see much, for shadow shut down on light almost immediately, but it seemed to me as though something dark stood behind the seat where the white figure shone, and bent over it. What it was, whether man or beast, I could not tell.

I did not wait to catch another glance, but flew down the steep steps to the pier and along by the fish-market to the bridge, which was the only way to reach the East Cliff. The town seemed as dead, for not a soul did I see. I rejoiced that it was so, for I wanted no witness of poor Lucy's condition. The time and distance seemed endless, and my knees trembled and my breath came laboured as I toiled up the endless steps to the abbey. I must have gone fast, and yet it seemed to me as if my feet were weighted with lead, and as though every joint in my body were rusty.

When I got almost to the top I could see the seat and the white figure, for I was now close enough to distinguish it even through the spells of shadow. There was undoubtedly something, long and black, bending over the half-reclining white figure. I called in fright, "Lucy! Lucy!" and something raised a head, and from where I was I could see a white face and red, gleaming eyes.

Lucy did not answer, and I ran on to the entrance of the churchyard. As I entered, the church was between me and the seat, and for a minute or so I lost sight of her. When I came in view again the cloud had passed, and the moonlight struck so brilliantly that I could see Lucy half reclining with her head lying over the back of the seat. She was quite alone, and there was not a sign of any living thing about.