"What was the name of the man who took it?" asked Dr. Van Helsing with restrained eagerness.

"I'll be tellin' ye quick!" he answered, and stepping down to his cabin, produced a receipt signed "Immanuel Hildesheim." Burgen-strasse 16 was the address. We found out that this was all the Captain knew, so with thanks we came away.

We found Hildesheim in his office, a Hebrew of rather the Adelphi Theatre type, with a nose like a sheep, and a fez. His arguments were pointed with specie, we doing the punctuation, and with a little bargaining he told us what he knew. This turned out to be simple but important. He had received a letter from Mr. de Ville of London, telling him to receive, if possible before sunrise so as to avoid customs, a box which would arrive at Galatz in the Czarina Catherine. This he was to give in charge to a certain Petrof Skinsky, who dealt with the Slovaks who traded down the river to the port. He had been paid for his work by an English bank note, which had been duly cashed for gold at the Danube International Bank. When Skinsky had come to him, he had taken him to the ship and handed over the box, so as to save porterage. That was all he knew.

We then sought for Skinsky, but were unable to find him. One of his neighbors, who did not seem to bear him any affection, said that he had gone away two days before, no one knew whither. This was corroborated by his landlord, who had received by messenger the key of the house together with the rent due, in English money. This had been between ten and eleven o'clock last night. We were at a standstill again.

Whilst we were talking one came running and breathlessly gasped out that the body of Skinsky had been found inside the wall of the churchyard of St. Peter, and that the throat had been torn open as if by some wild animal. Those we had been speaking with ran off to see the horror, the women crying out. "This is the work of a Slovak!" We hurried away lest we should have been in some way drawn into the affair, and so detained.

As we came home we could arrive at no definite conclusion. We were all convinced that the box was on its way, by water, to somewhere, but where that might be we would have to discover. With heavy hearts we came home to the hotel to Mina. When we met together, the first thing was to consult as to taking Mina again into our confidence. Things are getting desperate, and it is at least a chance, though a hazardous one. As a preliminary step, I was released from my promise to her.

MINA HARKER'S JOURNAL

30 October, evening. — They were so tired and worn out and dispirited that there was nothing to be done till they had some rest, so I asked them all to lie down for half an hour whilst I should enter everything up to the moment. I feel so grateful to the man who invented the "Traveller's" typewriter, and to Mr. Morris for getting this one for me. I should have felt quite astray doing the work if I had to write with a pen...

It is all done. Poor dear, dear Jonathan, what he must have suffered, what he must be suffering now. He lies on the sofa hardly seeming to breathe, and his whole body appears in collapse. His brows are knit. His face is drawn with pain. Poor fellow, maybe he is thinking, and I can see his face all wrinkled up with the concentration of his thoughts. Oh! if I could only help at all. I shall do what I can.

I have asked Dr. Van Helsing, and he has got me all the papers that I have not yet seen. Whilst they are resting, I shall go over all carefully, and perhaps I may arrive at some conclusion. I shall try to follow the Professor's example, and think without prejudice on the facts before me...

I do believe that under God's providence I have made a discovery. I shall get the maps and look over them.

I am more than ever sure that I am right. My new conclusion is ready, so I shall get our party together and read it. They can judge it. It is well to be accurate, and every minute is precious.

MINA HARKER'S MEMORANDUM

(ENTERED IN HER JOURNAL)

Ground of inquiry. — Count Dracula's problem is to get back to his own place.

(a) He must be brought back by some one. This is evident; for had he power to move himself as he wished he could go either as man, or wolf, or bat, or in some other way. He evidently fears discovery or interference, in the state of helplessness in which he must be, confined as he is between dawn and sunset in his wooden box.

(b) How is he to be taken? — Here a process of exclusions may help us. By road, by rail, by water?

1. By Road. — There are endless difficulties, especially in leaving the city.

(x) There are people. And people are curious, and investigate. A hint, a surmise, a doubt as to what might be in the box, would destroy him.

(y) There are, or there may be, customs and octroi officers to pass.

(z) His pursuers might follow. This is his highest fear. And in order to prevent his being betrayed he has repelled, so far as he can, even his victim, me!

2. By Rail. — There is no one in charge of the box. It would have to take its chance of being delayed, and delay would be fatal, with enemies on the track. True, he might escape at night. But what would he be, if left in a strange place with no refuge that he could fly to? This is not what he intends, and he does not mean to risk it.

3. By Water. — Here is the safest way, in one respect, but with most danger in another. On the water he is powerless except at night. Even then he can only summon fog and storm and snow and his wolves. But were he wrecked, the living water would engulf him, helpless, and he would indeed be lost. He could have the vessel drive to land, but if it were unfriendly land, wherein he was not free to move, his position would still be desperate.

We know from the record that he was on the water, so what we have to do is to ascertain what water.

The first thing is to realize exactly what he has done as yet. We may, then, get a light on what his task is to be.

Firstly. — We must differentiate between what he did in London as part of his general plan of action, when he was pressed for moments and had to arrange as best he could.

Secondly. — We must see, as well as we can surmise it from the facts we know of, what he has done here.

As to the first, he evidently intended to arrive at Galatz, and sent invoice to Varna to deceive us lest we should ascertain his means of exit from England. His immediate and sole purpose then was to escape. The proof of this, is the letter of instructions sent to Immanuel Hildesheim to clear and take away the box before sunrise. There is also the instruction to Petrof Skinsky. These we must only guess at, but there must have been some letter or message, since Skinsky came to Hildesheim.

That, so far, his plans were successful we know. The Czarina Catherine made a phenomenally quick journey. So much so that Captain Donelson's suspicions were aroused. But his superstition united with his canniness played the Count's game for him, and he ran with his favouring wind through fogs and all till he brought up blindfold at Galatz. That the Count's arrangements were well made, has been proved. Hildesheim cleared the box, took it off, and gave it to Skinsky. Skinsky took it, and here we lose the trail. We only know that the box is somewhere on the water, moving along. The customs and the octroi, if there be any, have been avoided.

Now we come to what the Count must have done after his arrival, on land, at Galatz.

The box was given to Skinsky before sunrise. At sunrise the Count could appear in his own form. Here, we ask why Skinsky was chosen at all to aid in the work? In my husband's diary, Skinsky is mentioned as dealing with the Slovaks who trade down the river to the port. And the man's remark, that the murder was the work of a Slovak, showed the general feeling against his class. The Count wanted isolation.