“Now the frenzy is beginning,” said Scrubb. “I hope those knots are all right.”

“Yes,” said Puddleglum. “He'd have twice his natural strength if he got free now. And I'm not clever with my sword. He'd get us both, I shouldn't wonder; and then Pole on her own would be left to tackle the snake.”

The prisoner was now so straining at his bonds that they cut into his wrists and ankles. “Beware,” he said. “Beware. One night I did break them. But the witch was there that time. You will not have her to help you tonight. Free me now, and I am your friend. I'm your mortal enemy else.”

“Cunning, isn't he?” said Puddleglum.

“Once and for all,” said the prisoner, “I adjure you to set me free. By all fears and all loves, by the bright skies of Overland, by the great Lion, by Aslan himself, I charge you—”

“Oh!” cried the three travellers as though they had been hurt. “It's the sign,” said Puddleglum. “It was the words of the sign,” said Scrubb more cautiously. “Oh, what are we to do?” said Jill.

It was a dreadful question. What had been the use of promising one another that they would not on any account set the Knight free, if they were now to do so the first time he happened to call upon a name they really cared about? On the other hand, what had been the use of learning the signs if they weren't going to obey them? Yet could Aslan have really meant them to unbind anyone even a lunatic—who asked it in his name? Could it be a mere accident? Or how if the Queen of the Underworld knew all about the signs and had made the Knight learn this name simply in order to entrap them? But then, supposing this was the real sign?... They had muffed three already; they daren't muff the fourth.

“Oh, if only we knew!” said Jill.

“I think we do know,” said Puddleglum.

“Do you mean you think everything will come right if we do untie him?” said Scrubb.

“I don't know about that,” said Puddleglum. “You see, Aslan didn't tell Pole what would happen. He only told her what to do. That fellow will be the death of us once he's up, I shouldn't wonder. But that doesn't let us off following the sign.”

They all stood looking at one another with bright eyes. It was a sickening moment. “All right!” said Jill suddenly. “Let's get it over. Good-bye, everyone …!” They all shook hands. The Knight was screaming by now; there was foam on his cheeks.

“Come on, Scrubb,” said Puddleglum. He and Scrubb drew their swords and went over to the captive.

“In the name of Aslan,” they said and began methodically cutting the cords. The instant the prisoner was free, he crossed the room in a single bound, seized his own sword (which had been taken from him and laid on the table), and drew it.

“You first!” he cried and fell upon the silver chair. That must have been a good sword. The silver gave way before its edge like string, and in a moment a few twisted fragments, shining on the floor, were all that was left. But as the chair broke, there came from it a bright flash, a sound like small thunder, and (for one moment) a loathsome smell.

“Lie there, vile engine of sorcery,” he said, “lest your mistress should ever use you for another victim.” Then he turned and surveyed his rescuers; and the something wrong, whatever it was, had vanished from his face.

“What?” he cried, turning to Puddleglum. “Do I see before me a Marsh-wiggle—a real, live, honest, Narnian Marsh-wiggle?”

“Oh, so you have heard of Narnia after all?” said Jill.

“Had I forgotten it when I was under the spell?” asked the Knight. “Well, that and all other bedevilments are now over. You may well believe that I know Narnia, for I am Rilian, Prince of Narnia, and Caspian the great King is my father.”

“Your Royal Highness,” said Puddleglum, sinking on one knee (and the children did the same), “we have come hither for no other end than to seek you.”

“And who are you, my other deliverers?” said the Prince to Scrubb and Jill.

“We were sent by Aslan himself from beyond the world's end to seek your Highness,” said Scrubb. “I am Eustace who sailed with him to the island of Ramandu.”

“I owe all three of you a greater debt than I can ever pay,” said Prince Rilian. “But my father? Is he yet alive?”

“He sailed east again before we left Narnia, my lord,” said Puddleglum. “But your Highness must consider that the King is very old. It is ten to one his Majesty must die on the voyage.”

“He is old, you say. How long then have I been in the power of the witch?'

“It is more than ten years since your Highness was lost in the woods at the north side of Narnia.”

“Ten years!” said the Prince, drawing his hand across his face as if to rub away the past. “Yes, I believe you. For now that I am myself I can remember that enchanted life, though while I was enchanted I could not remember my true self. And now, fair friends—but wait! I hear their feet (does it not sicken a man, that padding woolly tread! faugh!) on the stairs. Lock the door, boy. Or stay. I have a better thought than that. I will fool these Earthmen, if Aslan gives me the wit. Take your cue from me.”

He walked resolutely to the door and flung it wide open.

TWO Earthmen entered, but instead of advancing into the room, they placed themselves one on each side of the door, and bowed deeply. They were followed immediately by the last person whom anyone had expected or wished to see: the Lady of the Green Kirtle, the Queen of Underland. She stood dead still in the doorway, and they could see her eyes moving as she took in the whole situation—the three strangers, the silver chair destroyed, and the Prince free, with his sword in his hand.

She turned very white; but Jill thought it was the sort of whiteness that comes over some people's faces not when they are frightened but when they are angry. For a moment the Witch fixed her eyes on the Prince, and there was murder in them. Then she seemed to change her mind.

“Leave us,” she said to the two Earthmen. “And let none disturb us till I call, on pain of death.” The gnomes padded away obediently, and the Witch-queen shut and locked the door.

“How now, my lord Prince,” she said. “Has your nightly fit not yet come upon you, or is it over so soon? Why stand you here unbound? Who are these aliens? And is it they who have destroyed the chair which was your only safety?”

Prince Rilian shivered as she spoke to him. And no wonder: it is not easy to throw off in half an hour an enchantment which has made one a slave for ten years. Then, speaking with a great effort, he said:

“Madam, there will be no more need of that chair. And you, who have told me a hundred times how deeply you pitied me for the sorceries by which I was bound, will doubtless hear with joy that they are now ended for ever. There was, it seems, some small error in your Ladyship's way of treating them. These, my true friends, have delivered me. I am now in my right mind, and there are two things I will say to you. First—as for your Ladyship's design of putting me at the head of an army of Earthmen so that I may break out into the Overworld and there, by main force, make myself king over some nation that never did me wrong—murdering their natural lords and holding their throne as a bloody and foreign tyrant—now that I know myself, I do utterly abhor and renounce it as plain villainy. And second: I am the King's son of Narnia, Rilian, the only child of Caspian, Tenth of that name, whom some call Caspian the Seafarer. Therefore, Madam, it is my purpose, as it is also my duty, to depart suddenly from your Highness's court into my own country. Please it you to grant me and my friends safe conduct and a guide through your dark realm.”

Now the Witch said nothing at all, but moved gently across the room, always keeping her face and eyes very steadily towards the Prince. When she had come to a little ark set in the wall not far from the fireplace, she opened it, and took out first a handful of a green powder. This she threw on the fire. It did not blaze much, but a very sweet and drowsy smell came from it. And all through the conversation which followed, that smell grew stronger, and filled the room, and made it harder to think. Secondly, she took out a musical instrument rather like a mandolin. She began to play it with her fingers—a steady, monotonous thrumming that you didn't notice after a few minutes. But the less you noticed it, the more it got into your brain and your blood. This also made it hard to think. After she had thrummed for a time (and the sweet smell was now strong) she began speaking in a sweet, quiet voice.