"It's been my experience that if a chief never spends time in the morgue, there will be problems," she says, whether he wants to hear it or not. "If nothing else, the doctors sense a lack of interest in their work, and even doctors can get careless, lazy, or dangerously burned out and undone by the stress of what they see every day."

His eyes are flat and hard like tarnished copper, his mouth fixed in a thin line. Behind his balding head, the windows are as clean as air and she notices that he has replaced the bulletproof glass. The Coliseum is a brown mushroom in the distance, and a dreary drizzle has begun to fall.

"I can't turn a blind eye to what I see, not if you want my help," she says. "I don't care if it is one case and one case only, as you put it. Certainly you must know all things are used against us in court and elsewhere. Right now, it's the elsewhere that worries me."

"I'm afraid you're talking in riddles," Dr. Marcus replies, his thin face staring coldly at her. "Elsewhere? What is elsewhere?"

"Usually scandal. Usually a lawsuit. Or worst of all, a criminal case that is destroyed by technicalities, by evidence that is ruled inadmissible because of impropriety, because of flawed procedures, so there is no court. There is no trial."

"I was afraid this was going to happen," he says. "I told the commissioner what a bad idea this was."

"I don't blame you for telling him that. No one wants a former chief reappearing to straighten up…"

"I warned the commissioner that the last thing we needed was a disgruntled former employee of the Commonwealth dropping by to fix things," he says, picking up a pen and setting it down again, his hands nervous and angry.

"I don't blame you for feeling…"

Especially crusaders," he says coldly. "They're the worst. Nothing worse than a crusader unless it is a wounded one."

"Now you're getting…"

But here we are. So let's make the best of it, shall we?" I would appreciate your not interrupting me," Scarpetta says. "And if you're calling me a wounded crusader, then I'll choose to accept that as a compliment and we'll move along to the subject of dentures."

He stares at her as if she has gone mad.

"I just witnessed a mix-up in the morgue," she says. "The wrong dentures with the wrong decedent. Carelessness. And too much autonomy for young Fort Lee soldiers who have no medical training and in fact are here to learn from you. Suppose some family gets their loved one returned to the funeral home, and there's an open casket and the dentures are missing or don't fit, you have the beginning of a disintegration that is hard to stop. The press loves stories like that, Dr. Marcus. You mix up those dentures in a homicide case, and you've just given the defense attorneys quite a gift, even if the dentures have absolutely nothing to do with anything."

"Whose dentures?" he asks, scowling. "Fielding is supposed to be supervising."

"Dr. Fielding has too much to do," she replies.

"So now we get to that. Your former assistant." Dr. Marcus rises from his chair. He does not tower over the desk, not that Scarpetta ever did because she isn't tall either, but he seems small as he erupts from behind the desk and moves past the table with a microscope shrouded in plastic. "It's already ten o'clock," he says, opening his office door. "Let's get you started on Gilly Paulsson. She's in the decomp fridge and it's best you work on her in that room. No one will bother you there. I suppose you've decided to re-autopsy."

"I'm not doing this without a witness," Scarpetta says.

Lucy doesn't sleep in the third-floor master suite anymore but locks herself into a much smaller bedroom downstairs. She tells herself she has sound investigative reasons for not sleeping in that bed, the one Henri was attacked in, that huge bed with the hand-painted headboard in the center of a palatial suite that overlooks the water. Evidence, she thinks. No matter how fastidious she and Rudy are, it is always possible that evidence was missed.

Rudy has driven off in her Modena to gas it up, or at least this was his excuse when he plucked the keys off the kitchen counter. He has another agenda, Lucy suspects. He is cruising. He wants to see who follows him, assuming anybody does, and probably nobody in his right mind would follow someone as big and strong as Rudy, but the beast who drew the eye, two eyes now, is out there. He is watching. He watches the house. He might not realize Henri is gone, so he continues to watch the house and the Ferraris. He might be watching the house right now.

Lucy walks across tawny carpet, past the bed. It is still unmade, the soft, expensive covers pulled over the foot of the mattress and spilled onto the floor in a silk waterfall. Pillows are shoved to one side, exactly where they were when Lucy ran up the flights of stone steps and found Henri unconscious on the bed. At first Lucy thought she was dead. Then she didn't know what to think. She still doesn't know what to think. But at the time she was frightened enough to call 911, and what a mess that has caused. They had to deal with the local police, and the last thing Lucy ever wants is the police involved in her secret lives and activities, many of them illegal means to just ends, and of course, Rudy is still furious.

He accuses Lucv of panicking, and she did. She should never have called 911, and he's right. They could have handled the situation themselves and should have. Henri isn't Suzy-Q citizen, Rudy said. Henri is one of their agents. It didn't matter if she was out cold and naked. She was breathing, wasn't she? Her pulse and blood pressure weren't dangerously fast or low, were they? She wasn't bleeding, was she? Just a little bit of a bloody nose, right? It wasn't until Lucy flew Henri on a private jet to Aspen that Benton offered an explanation that unfortunately makes sense. Henri was attacked and may have been unconscious briefly, but after that she was faking.

"No way," Lucy argued with Benton when he told her that. "She was completely unresponsive."

"She's an actor," he said.

"Not anymore."

"Come on, Lucy. She was a professional actor half her life before she decided to change careers. Maybe becoming a cop was simply another acting role for her. It may be that she can't do anything but act."

"But why would she do something like that? I kept touching her, talking to her, trying to make her wake up, why would she do it? Why?"

"Shame and rage, who knows why, exactly?" he said. "She may not remember what happened, may have repressed it, but she has feelings about it. Maybe she was ashamed because she didn't protect herself. Maybe she wants to punish you."

"Punish me for what? I didn't do anything. What? She's practically been murdered and it occurs to her, oh, I'll punish Lucy while I'm at it?"

"You'd be surprised what people do."

"No way," Lucy told Benton, and the more adamant she was, the more he probably knew he was right.

She walks across the bedroom to a wall of eight windows that are so high it isn't necessary to cover the top half of them with shades. The shades are drawn over the lower half of the windows, and she presses a button on the wall and the shades electronically retract with n soft whir. She stares out at the sunny day, scanning her property to see if anything is different. She and Rudy were in Miami until very early this morning. She hasn't been back to her home in three days, and the beast had plenty of time to wander and spy. He came back looking for Henri. He walked right across the patio to the back door and taped his drawing on it to remind Henri, to taunt her, and no one called the police. People are vile in this neighborhood, Lucy thinks. They don't care if you're beaten to death or burglarized as long as you don't do anything that might make life unpleasant for the rest of them.