«I do not. I know only this — it is not good that I should have made you dearer than my own heart to me, Sahib. You are an Englishman. I am only a black girl» — she was fairer than bar-gold in the Mint — «and the widow of a black man.»

Then she sobbed and said: «But on my soul and my Mother’s soul, I love you. There shall no harm come to you, whatever happens to me.»

Trejago argued with the child, and tried to soothe her, but she seemed quite unreasonably disturbed. Nothing would satisfy her save that all relations between them should end. He was to go away at once. And he went. As he dropped out at the window, she kissed his forehead twice, and he walked away wondering.

A week, and then three weeks, passed without a sign from Bisesa. Trejago, thinking that the rupture had lasted quite long enough, went down to Amir Nath’s Gully for the fifth time in the three weeks, hoping that his rap at the sill of the shifting grating would be answered. He was not disappointed.

There was a young moon, and one stream of light fell down into Amir Nath’s Gully, and struck the grating, which was drawn away as he knocked. From the black dark, Bisesa held out her arms into the moonlight. Both hands had been cut off at the wrists, and the stumps were nearly healed.

Then, as Bisesa bowed her head between her arms and sobbed, some one in the room grunted like a wild beast, and something sharp — knife, sword or spear — thrust at Trejago in his boorka. The stroke missed his body, but cut into one of the muscles of the groin, and he limped slightly from the wound for the rest of his days.

The grating went into its place. There was no sign whatever from inside the house — nothing but the moonlight strip on the high wall, and the blackness of Amir Nath’s Gully behind.

The next thing Trejago remembers, after raging and shouting like a madman between those pitiless walls, is that he found himself near the river as the dawn was breaking, threw away his boorka and went home bareheaded.

What the tragedy was — whether Bisesa had, in a fit of causeless despair, told everything, or the intrigue had been discovered and she tortured to tell, whether Durga Charan knew his name, and what became of Bisesa — Trejago does not know to this day. Something horrible had happened, and the thought of what it must have been comes upon Trejago in the night now and again, and keeps him company till the morning. One special feature of the case is that he does not know where lies the front of Durga Charan’s house. It may open on to a courtyard common to two or more houses, or it may lie behind any one of the gates of Jitha Megji’s bustee. Trejago cannot tell. He cannot get Bisesa — poor little Bisesa — back again. He has lost her in the City, where each man’s house is as guarded and as unknowable as the grave; and the grating that opens into Amir Nath’s Gully has been walled up.

But Trejago pays his calls regularly, and is reckoned a very decent sort of man.

There is nothing peculiar about him, except a slight stiffness, caused by a riding-strain, in the right leg.

There is hope for a man who gets publicly and riotously drunk more often that he ought to do; but there is no hope for the man who drinks secretly and alone in his own house — the man who is never seen to drink.

This is a rule; so there must be an exception to prove it. Moriarty’s case was that exception.

He was a Civil Engineer, and the Government, very kindly, put him quite by himself in an out-district, with nobody but natives to talk to and a great deal of work to do. He did his work well in the four years he was utterly alone; but he picked up the vice of secret and solitary drinking, and came up out of the wilderness more old and worn and haggard than the dead-alive life had any right to make him. You know the saying that a man who has been alone in the jungle for more than a year is never quite sane all his life after. People credited Moriarty’s queerness of manner and moody ways to the solitude, and said it showed how Government spoilt the futures of its best men. Moriarty had built himself the plinth of a very god reputation in the bridge-dam-girder line. But he knew, every night of the week, that he was taking steps to undermine that reputation with L. L. L. and «Christopher» and little nips of liqueurs, and filth of that kind. He had a sound constitution and a great brain, or else he would have broken down and died like a sick camel in the district, as better men have done before him.

Government ordered him to Simla after he had come out of the desert; and he went up meaning to try for a post then vacant. That season, Mrs. Reiver — perhaps you will remember her — was in the height of her power, and many men lay under her yoke. Everything bad that could be said has already been said about Mrs. Reiver, in another tale. Moriarty was heavily-built and handsome, very quiet and nervously anxious to please his neighbors when he wasn’t sunk in a brown study. He started a good deal at sudden noises or if spoken to without warning; and, when you watched him drinking his glass of water at dinner, you could see the hand shake a little. But all this was put down to nervousness, and the quiet, steady, «sip-sip-sip, fill and sip-sip-sip, again,» that went on in his own room when he was by himself, was never known. Which was miraculous, seeing how everything in a man’s private life is public property out here.

Moriarty was drawn, not into Mrs. Reiver’s set, because they were not his sort, but into the power of Mrs. Reiver, and he fell down in front of her and made a goddess of her. This was due to his coming fresh out of the jungle to a big town. He could not scale things properly or see who was what.

Because Mrs. Reiver was cold and hard, he said she was stately and dignified. Because she had no brains, and could not talk cleverly, he said she was reserved and shy. Mrs. Reiver shy! Because she was unworthy of honor or reverence from any one, he reverenced her from a distance and dowered her with all the virtues in the Bible and most of those in Shakespeare.

This big, dark, abstracted man who was so nervous when a pony cantered behind him, used to moon in the train of Mrs. Reiver, blushing with pleasure when she threw a word or two his way. His admiration was strictly platonic: even other women saw and admitted this. He did not move out in Simla, so he heard nothing against his idol: which was satisfactory. Mrs. Reiver took no special notice of him, beyond seeing that he was added to her list of admirers, and going for a walk with him now and then, just to show that he was her property, claimable as such. Moriarty must have done most of the talking, for Mrs. Reiver couldn’t talk much to a man of his stamp; and the little she said could not have been profitable. What Moriarty believed in, as he had good reason to, was Mrs. Reiver’s influence over him, and, in that belief, set himself seriously to try to do away with the vice that only he himself knew of.

His experiences while he was fighting with it must have been peculiar, but he never described them. Sometimes he would hold off from everything except water for a week. Then, on a rainy night, when no one had asked him out to dinner, and there was a big fire in his room, and everything comfortable, he would sit down and make a big night of it by adding little nip to little nip, planning big schemes of reformation meanwhile, until he threw himself on his bed hopelessly drunk. He suffered next morning.