Биографии и Мемуары - скачать книги или читать онлайн. Страница 300

‘Time equals progression. Progression equals death.’This is a thought that consumes Ed Zine, a handsome, athletic, twenty-four year old.The victim of a debilitating form of obsessive compulsive disorder (OCD), Ed's illogical mind tells him that if going forward in time moves him closer to death, reversing an action will carry him away from it.The youngest of four children, Ed Zine's life was thrown into turmoil when his mother, the centre of his universe, died from ovarian cancer when he was just eleven years old. Not warned by his family that his mother was sick, and beaten and screamed at by his father on the night of his mother's death for leaving the lid off a jam jar, Ed was shell-shocked when his mother died and, for years, kept quiet about the fact that he witnessed his mother's last breath and never truly grieved her death.Ed's trauma over the loss of his mother manifested itself in bizarre physical affectations and as he became less able to articulate his sorrow and his pain he became more and more isolated from other humans.Thirteen years on, Ed Zine lived alone in a basement, meticulously counting and rewinding any action he made in an obsessive and illogical attempt to prevent his loved ones from moving towards death.All efforts to help him, from members of his family, and numerous medical professionals, had been in vain, until Dr Michael Jenike, professor of psychiatry at Harvard Medical School, and one of the world's leading experts in research and treatment of OCD made the long drive to Cape Cod, Massachusetts. This was just the beginning of the extensive and difficult journey the two were to endure together…

On a Saturday morning in May 1980, Melanie Bowen, a pretty fifteen year old, ran down the stairs of her parents’ home in Port Talbot, grabbed her leather jacket and crash helmet, yelled a goodbye, and then walked out of the front door into the sunshine for what was to be the last time in her life. Never Say Die is the true story of what followed…Since the motorcycle crash that left her paralysed from the chest down, Melanie's life has been one of extremes. On the down side, she has endured 5 horrific months of despair and indignity in rehabilitation, undergone a colostomy at 23, been in another serious car crash, suffered syringomyelia and the terrifying prospect of full quadriplegia, been diagnosed with breast cancer and broken several bones.On the plus side, however, she's won medals in athletics for Wales, been humbled and inspired by Falklands veterans at RAF Chessington, raised thousands for charity, become a major disability poster girl in America, dabbled with the film world and been screen tested for a movie, met the Queen, and set up her own rehabilitation charity, whose patrons include the acclaimed actor Michael Sheen, Dame Tanni Grey Thompson and former Welsh Rugby captain, Gwyn Jones.She has also, against all the odds, found lasting happiness, having fallen in love with and married the surgeon who 25 years earlier told her she would never walk again.

Penelope Fitzgerald, the Booker Prize-winning author of ‘Offshore’ and ‘The Blue Flower’, turns her attention to the remarkable life of the Pre-Raphaelite artist Edward Burne-Jones.‘I mean by a picture a beautiful, romantic dream of something that never was, never will be, in a light better than any light that ever shone – in a land no one can define or remember, only desire’ Edward Burne-JonesEdward Burne-Jones (1833-1898) was the prototypical pre-Raphaelite but with a truly individual sensibility. Penelope Fitzgerald’s delightful biography charts his life from humble beginnings in Birmingham as the son of an unsuccessful framer, through a transformative period at Oxford, where he met his close friend and collaborator William Morris, and on to the apprenticeship with Dante Gabriel Rossetti that would shape his artistic vision.His work harks back to an Arthurian England – an Arcadia that offered solace against the onset of the Industrial Revolution, and on a deeply personal level provided respite from his ever-present melancholia. This is an illuminating portrait of a fascinating figure – artistic genius, doting father, troubled husband – written with all Penelope Fitzgerald’s characteristic sympathy and insight.

Described as the Irish John Peel, Dave Fanning has been a major player in the Irish and global music scene for over 30 years.In this compelling memoir, RTE Radio 2 DJ Dave Fanning will give the behind-the-scenes story of all the international musicians he has met, including The Rolling Stones, The Beatles, David Bowie, The Who and many, many more.Dave's story starts in the 60s, when he discovered his love for Bob Dylan, Joni Mitchell, Leonard Cohen and of course, The Beatles through the family subscription to the NME. This was to be his first glimpse of a world he would soon become an important part of.Graduating from pirate radio and a stint as Editor of Scene magazine, Dave joined RTE radio 2 when it launched in 1973, and quickly became the voice of a generation. Billboard magazine hailed him as the man solely responsible for the growth of Ireland's music industry.Renowned for supporting young, new Irish talent, Dave Fanning will detail the unique story of his role in the launch of U2 and his ongoing friendship with the band, delving into their humble beginnings and rise to fame. Including never-before-seen photographs and images from Dave's huge personal collection, this is an absolute must-have for any music fan and will be a significant contribution to the history of music.

Dean Koontz’s first ever nonfiction book, the deeply moving story of his life with his good dog TrixieDean Koontz is known for exploring the dark side of human nature in his fiction. But his softer, playful side comes out when he talks about his beloved dog, Trixie, a golden retriever.Trixie had a special place in Dean's heart. And now, in this, his first non-fiction book, Dean opens his heart to his readers to give us memories of Trixie, of the glorious dog who changed him and changed his life.There's everything in this memoir: adventure, mischief, emotion, and sadness too. Dean will talk with joy about the many gifts Trixie gave him – and the lessons she taught – and he'll talk with sadness at losing his beloved pet.The loss of a dog is a heartbreak that's been experienced by a great many people, and Dean's delving into that loss is a powerful part of this book, and a cathartic experience for those of us who have loved and lost an animal companion.Trixie had a big little life and lives for ever in Dean’s heart … and in these pages.

A major launch for the paperback edition of the most original, capitvating and award-winning memoir of the year.Stuart, A Life Backwards, is the story of a remarkable friendship between a reclusive writer and illustrator (‘a middle class scum ponce, if you want to be honest about it, Alexander) and a chaotic, knife-wielding beggar whom he gets to know during a campaign to release two charity workers from prison.Interwoven into this is Stuart’s confession: the story of his life, told backwards. With humour, compassion (and exasperation) Masters slowly works back through post-office heists, prison riots and the exact day Stuart discovered violence, to unfold the reasons why he changed from a happy-go-lucky little boy into a polydrug-addicted-alcoholic Jekyll and Hyde personality, with a fondness for what he called ‘little strips of silver’ (knives to you and me).Funny, despairing, brilliantly written and full of surprises: this is the most original and moving biography of recent years.

‘The best memoir by a senior politician for years.’ Simon Jenkins, Sunday TimesJohn Major’s autobiography is one of the most personal and revealing ever written by a former British Prime Minister. The account of his childhood, rise and fall is candid, scrupulous and unsparing.Major’s early life was extraordinary; his rise through Parliament meteoric. Soon a favourite of Margaret Thatcher, he became Foreign Secretary and then Chancellor of the Exchequer. When Thatcher fell, he fought and won a shrewd campaign to succeed her, and went on to win a remarkable general election victory in 1992. He brought down inflation and ushered in a solid economic recovery, yet within months of the 1992 election, his government was in troubled waters. John Major is candid about his fight to keep sterling in the ERM and his reactions to ‘Black Wednesday’. He is frank about the civil war within his party over Britain’s relationship with the EU. He is honest about what he won and what he lost, about friends and foes within his party as well as outside.

Janet Morgan’s definitive and authorised biography of Agatha Christie, with a new retrospective foreword by the author.Agatha Christie (1890–1976), the world’s bestselling author, is a public institution. Her creations, Hercule Poirot and Miss Marple, have become fiction’s most legendary sleuths and her ingenuity has captured the imagination of generations of readers. But although she lived to a great age and was prolific, she remained elusively shy and determinedly private.Given sole access to family papers and other protected material, Janet Morgan’s definitive biography unravels Agatha Christie’s life, work and relationships, creating a revealing and faithfully honest portrait. The book has delighted readers of Christie’s detective stories for more than 30 years with its clear view of her career and personality, and this edition includes a new foreword by the author reflecting on the longevity of Agatha Christie’s extraordinary success and popularity.

The warm, funny memoir of Gregor Fisher, the much loved Scottish actor best known for Rab C. Nesbitt, told as he uncovers his dramatic family history.Growing up in the Glasgow suburbs, Gregor was 14 when he asked where he was christened and was told that he was adopted. But it wasn’t quite that simple. And so began an unfolding of truths, half-truths and polite cover-ups from his various families. In 2014 Gregor approached Times columnist Melanie Reid to help him tell his story. Together they travelled through the mining villages of central Scotland to uncover the mystery of his birth and early life. What emerged was a story of secrets, deception, tragic accidents and early death, coldness and rejection from the very people who should have cherished him most, but a welcome from the most unexpected of quarters.From the squalor of industrial Coatbridge after WW1 to his own 1950s Glasgow childhood, via a love letter found in the wallet of a dead man and meeting his sister outside lost luggage at Glasgow Central, Gregor shares his family story with warmth and blunt Scottish humour.

Focusing on the art of self-portraiture, this effortlessly engaging exploration of the lives of artists sheds fascinating light on some of the most extraordinary portraits in art history.Self-portraits catch your eye. They seem to do it deliberately. Walk into any art gallery and they draw attention to themselves. Come across them in the world’s museums and you get a strange shock of recognition, rather like glimpsing your own reflection. For in picturing themselves artists reveal something far deeper than their own physical looks: the truth about how they hope to be viewed by the world, and how they wish to see themselves.In this beautifully written and lavishly illustrated book, Laura Cumming, art critic of the Observer, investigates the drama of the self-portrait, from Durer, Rembrandt and Velazquez to Munch, Picasso, Warhol and the present day. She considers how and why self-portraits look as they do and what they reveal about the artist’s innermost sense of self – as well as the curious ways in which they may imitate our behaviour in real life.Drawing on art, literature, history, philosophy and biography to examine the creative process in an entirely fresh way, Cumming offers a riveting insight into the intimate truths and elaborate fictions of self-portraiture and the lives of those who practise it. A work of remarkable depth, scope and power, this is a book for anyone who has ever wondered about the strange dichotomy between the innermost self and the self we choose to present for posterity – our face to the world.

Part 3 of 3Just when Casey thinks her foster care duties are done, she’s asked to look after Sam, a troubled nine-year-old with a violent streak who drove his previous guardians to release him of their care. It soon unfolds, however, that this is no simple case.Determined to get to the root of Sam’s behaviour, Casey is committed to uncover his mysterious past only to find out something far darker than she ever imagined…Having recently said goodbye to their last foster child, Miller, the Watson family are taking a bit of a break. But it’s while Casey is having fun catching up with her friends that she receives a call from her new link worker. Social services are desperately trying to find a settled home for nine-year-old Sam, who has Autism and some serious behavioural problems.Removed from his mother less than a week ago, Sam has been staying with respite carers. But with two young children of their own, they now find themselves unable to hold on to the little boy as he is bullying them relentlessly. It’s not an isolated situation, either. Apparently Sam’s own siblings begged not to be placed with their older brother – they were both adamant that they were too afraid of him.The Watsons agree to accommodate Sam, who, despite his tiny stature, turns out to be quite the whirlwind – destroying anything and everything in his path. In addition to the outward behaviours, it quickly becomes evident that there is a much darker past that has blighted the boy’s life. As Casey tries to get to the bottom of it, she discovers there are no files on Sam; only the testament of his previous neighbour. Thankfully, Mrs Gallagher is only too happy to help. And to talk. But it soon transpires that there is a great deal more to Sam’s secret history…