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The most capped England rugby scrum-half of all time, a captain of his country, and a two-times British Lions tourist, Matt Dawson’s career story is a colourful tale spiced with controversy, from club rugby at Northampton to England winning the Rugby World Cup in Australia.The boy from Birkenhead learnt the game the hard way, working as a security guard and an advertising salesman in his formative years, in the days when rugby players found relief in an active and alcoholic social life. (Dawson: ‘The drinking started on Saturday night, continued all Sunday and most nights until Thursday.’)Despite the frequent visits to the operating theatre and the physio’s table, hard graft for his club Northampton eventually heralded international recognition. Dawson talks about the influential, and occasional obstructive figures in his blossoming career: the likes of John Olver, Will Carling, Ian McGeechan and, more recently, Wayne Shelford, Kyran Bracken and Clive Woodward.In typically opinionated mode, he also reflects on the successes and failures of the England team and, famously, the Lions in Australia in 2001. After speaking out against punishing schedules, disenchanted players and lack of management support in a tour diary article, Dawson was almost sent home in disgrace. He revisits that bitterly disappointing period in his life and is still not afraid to point out where everything went wrong.Following England’s Rugby World Cup 2003 success, Dawson provides a first-hand account of all the dressing room drama – including a troubled Jonny Wilkinson – and the memorable final itself, followed by the stunning reaction to this historic win back home. And in a new updated chapter for this paperback edition, he reveals how the World Champions have overcome the retirement of key players, reviews the 2004 Six Nations, and looks at his own future in the game.

Widely considered to be the most important biography of Nelson Mandela, Antony Sampson’s remarkable book has been updated with an afterword by acclaimed South African journalist, John Battersby.Long after his presidency of South Africa, Nelson Mandela remained an inspirational figure to millions – both in his homeland and far beyond. He has been, without doubt, one of the most important figures in global history. His death, on 5 December 2013 at the age of 95, resonated around the world.Mandela’s opposition to apartheid and his 27 year incarceration at the hands of South Africa’s all-white regime are familiar to most. In this utterly compelling book, eminent biographer Anthony Sampson draws on a fifty year-long relationship to reveal the man who rocked a continent – and changed its future.With unprecedented access to the former South African president – the letters he wrote in prison, his unpublished jail autobiography, extensive conversations, and interviews with hundreds of colleagues, friends, and family – Sampson depicts the realities of Mandela’s private and public life, and the tragic tension between them. Updated after Sampson’s death with a new afterword by distinguished South African journalist John Battersby, this is the ultimate biography of one of the twentieth century’s greatest statesmen.

WINNER OF THE SOUTH BANK SKY ARTS LITERATURE AWARD 2018A GUARDIAN BOOK OF THE YEAR • A TIMES BOOK OF THE YEAR • A SUNDAY TIMES BOOK OF THE YEAR • A DAILY MAIL BOOK OF THE YEAR‘A masterpiece’ Mail on Sunday‘I honked so loudly the man sitting next to me dropped his sandwich’ ObserverShe made John Lennon blush and Marlon Brando clam up. She cold-shouldered Princess Diana and humiliated Elizabeth Taylor.Andy Warhol photographed her. Jack Nicholson offered her cocaine. Gore Vidal revered her. John Fowles hoped to keep her as his sex-slave. Dudley Moore propositioned her. Francis Bacon heckled her. Peter Sellers was in love with her.For Pablo Picasso, she was the object of sexual fantasy. “If they knew what I had done in my dreams with your royal ladies” he confided to a friend, “they would take me to the Tower of London and chop off my head!”Princess Margaret aroused passion and indignation in equal measures. To her friends, she was witty and regal. To her enemies, she was rude and demanding.In her 1950’s heyday, she was seen as one of the most glamorous and desirable women in the world. By the time of her death, she had come to personify disappointment. One friend said he had never known an unhappier woman.The tale of Princess Margaret is pantomime as tragedy, and tragedy as pantomime. It is Cinderella in reverse: hope dashed, happiness mislaid, life mishandled.Combining interviews, parodies, dreams, parallel lives, diaries, announcements, lists, catalogues and essays, Ma’am Darling is a kaleidoscopic experiment in biography, and a witty meditation on fame and art, snobbery and deference, bohemia and high society.‘Brown has been our best parodist and satirist for decades now … Ma’am Darling is, as you would expect, very funny; also, full of quirky facts and genial footnotes. Brown has managed to ingest huge numbers of royal books and documents without losing either his judgment or his sanity. He adores the spectacle of human vanity’ Julian Barnes, Guardian

The brilliantly funny and inimitable Alan Carr tells his life story in his own words, from growing up in a football-mad family in Northampton to his rise to become one of Britain’s best-loved comedians.‘Puberty had been unkind. Whereas it had come in the night and left the other boys with chiselled, stubbly chins and deep masculine voices, I’d been left with a huge pair of knockers and the voice of a pensioner.’ Alan CarrAlan Carr grew up in one of the most boring towns in England – Northampton. A place known for making shoes. It was also known for its football club, Northampton Town FC. Alan’s dad as manager of the club was a local hero. A dream come true for most lads, but not Alan. Alan wore glasses and had man boobs at 14. He did not like P.E.In his very first book, Alan tells his life story, (‘oh and what a life’) with his unique twist of natural, observational humour –‘I’m not saying I’m a fantasist but there have been times when things that I’ve seen on television when I was younger have tended to seep into my subconscious and blended into my own life. I remember telling my Mum about the time I stopped that woman from having a diamond encrusted necklace stolen and she’d say ‘No Alan, that was Poirot.’With his tongue-in-cheek, end of pier humour that made him famous, Alan describes an ordinary life in bursts of technicolour. His journey from awkward schoolboy hiding his man-boobs on the pitch, drinking tea with the dinner ladies and working in a call centre, to becoming one of our best-loved comedians likened to the great Frankie Howerd, will make his book a guaranteed tickler with a laugh-out-loud gag on every page.

An extraordinary memoir from a man in his nineties who remembers everyday life in a North London now long gone: the hardships and deprivations of a life of poverty but also the resourcefulness and fortitude of a community determined to survive between the wars.'When I look back, I can picture the old gels chinwagging on their steps in the Bay like it was yesterday. Little did they think that young Sid, passing by with his arse out of his trousers, would one way publish his memoirs!''Ordinary' people do not write their stories, believing their lives to be unremarkable. Some, like Sid, cannot write at all. But, with the aid of his granddaughter Helen Day, Sid has produced an extraordinary memoir of a city and a way of life now lost forever. ‘London Born’ is a book that has appeared against all the odds – as Sid says, 'When me granddaughter Helen Day said she wanted to record the story of the first half of me life and turn it into a book I was astonished. I thought to meself, Well, I've done a lot of things, but I never dreamt I'd get into the book game. You see, I can't write more than me own name.'In ‘London Born’, Sid remembers the city that emerged from the First World War and recreates the daily life of the people living in the notorious street known as 'Tiger Bay'. He describes the drinking and merrymaking, the poverty and unemployment – and the 'villainry'. With relish he relates how youthful high spirits and a refusal to accept the hardship of the times sometimes put him and his friends on the wrong side of the law. He goes on to tell of the wartime mayhem endured by Londoners and his determination to survive. His story closes with demobilisation when he returns to his wife and young family – 'the only thing that ever counted'.This is a memoir from a warm and cheeky voice; from someone who remembers, as if it were yesterday, parading down Archway in his fifty-bob suit, or running rings around Ernie Costen, the local policeman.

The long awaited sequel to the beloved and bestselling ‘The Liars’ Club’ and ‘Cherry’ – a memoir about a self-professed ‘blackbelt sinner’s’ descent into the inferno of alcoholism and madness, and her astonishing resurrection.‘If you’d told me, even a year before I start taking my son to church regular that I’d wind up whispering my sins in the confessional or on my knees saying the rosary, I would’ve laughed myself cockeyed. More likely pastime? Pole dancer. International spy. Drug mule. Assassin.’Mary Karr’s prizewinning ‘The Liars’ Club’ chronicled her hardscrabble Texas childhood and sparked a renaissance in memoir, cresting the New York Times bestseller list for more than a year. ‘Cherry’, her ecstatically reviewed account of a psychedelic adolescence and a moving sexual coming-of-age, followed it into bestsellerdom. Now ‘Lit’ answers the question asked by thousands of fans: How did Karr make it out of that toxic upbringing to tell her own tale?Karr’s longing for a solid family seems secure when her marriage to a handsome, blueblood poet who can quote Shakespeare by the yard produces a blond son they adore. But Karr can’t outrun her apocalyptic upbringing. She drinks herself into the same numbness that nearly devoured her charismatic but troubled mother, reaching the brink of suicide. A hair-raising stint in ‘The Mental Marriott’ with an oddball tribe of gurus and saviors awakens her to the possibility of joy again, and leads her to an unlikely faith. Not since St. Augustine cried, ‘Give me chastity, Lord – but not yet!’ has a conversion story rung with such dark hilarity.‘Lit’ is about getting drunk and getting sober; becoming a mother by letting go of a mother; learning to write by learning to live. This hotly anticipated sequel brings Karr’s story full circle; it will endure in the hearts of readers alongside her influential and beloved earlier books. Simply put, it is a triumph.

A searching and at times harrowing re-appraisal of the life of Evel Knievel, the seventies American icon and the greatest daredevil motorcyclist that ever lived. The story of the last few years of his life and his death in 2007.Stuart Barker's definitive biography captures the super-star status that Knievel held and also examines the marketing phenomenon of a man who once boasted he ‘made $60 million and blew $63 million’.Born in the town of Butte, Montana in 1938, Robert Craig Knievel was an outstanding athlete, ski jumper and ice hockey player at school. His early jobs included working in the copper mines and driving a bus as well as a stint in the US Army, but he always subsidised his income through crime ('I could crack a safe with one hand tied behind my back quicker than you could eat a hamburger with two.')He used bikes to escape from the police and eventually hit upon the idea of jumping them after seeing a stunt driver jump cars at a state fair. His first jump took place over two mountain lions and a box of rattlesnakes, and he soon developed his act into the 'Evel Knievel Motorcycle Daredevils' before embarking on a solo career.Knievel suffered 37 breaks and fractures during his daredevil career. In 1967 he spent 29 days in a coma after an attempt to jump over the fountains outside Caesar's Palace casino in Las Vegas. While recovering, he decided to make his goal to jump the Grand Canyon, an attempt he was forced to abort by the US Government; and later was paid $1 million for jumping over 13 double-decker buses at Wembley Stadium.Now, a quarter of a century after he last stepped off a motorcycle, he has been reborn as the originator of Xtreme sports. This, alongside his love of gambling, women and drinking, ensure his legend will live forever. Life of Evel is the story of a truly extreme personality.

The story of international football star Tim Cahill, one of the most admired Australian sportsmen of all time.Tim Cahill was born in Sydney to a Samoan mother and English father. He grew up in the city's western suburbs playing football with his brothers and for his local club sides. As a teenager, Tim's parents took out a loan so that he could travel to England and chase his dream of becoming a professional soccer player. It was an act of faith repaid with a stellar international career and the legacy of one of the most admired Australian sportsmen of his generation. With his trademark honesty and directness, Tim reflects on what it takes to make it to the top – the sacrifices, the physical cost, the mental stamina, the uncompromising self-belief and self-determination, the ruthlessness, but also the decency, the integrity, and the generosity. An autobiography that is more than a record of the goals and the games, Tim Cahill's story is a universal reminder of the importance of making your moment count.

The heartbreaking story of the passionate love affair between Boris Pasternak and Olga Ivinskaya – the tragic true story that inspired Doctor Zhivago.‘Doctor Zhivago’ has sold in its millions yet the true love story that inspired it has never been fully explored. Pasternak would often say ‘Lara exists, go and meet her’, directing his visitors to the love of his life and literary muse, Olga Ivinskaya. They met in 1946 at the literary journal where she worked. Their relationship would last for the remainder of their lives.Olga paid an enormous price for loving ‘her Boria’. She became a pawn in a highly political game and was imprisoned twice in Siberian labour camps because of her association with him and his controversial work. Her story is one of unimaginable courage, loyalty, suffering, tragedy, drama and loss.Drawing on both archival and family sources, Anna Pasternak’s book reveals for the first time the critical role played by Olga in Boris’s life and argues that without Olga it is likely that Doctor Zhivago would never have been completed or published.Anna Pasternak is a writer and member of the famous Pasternak family. She is the great-granddaughter of Leonid Pasternak, the impressionist painter and Nobel Prize winning novelist Boris Pasternak was her great-uncle. She is the author of three previous books.

The Sunday Times bestseller!Pour the champagne, light some candles, lay back and prepare to laugh, cry and gasp at the fully uncensored, Bridget-Jones-esque world of Ollie Locke, star of Made in Chelsea.Immaculately dressed, fake-tanned and unstoppably cheerful, Ollie Locke is the heart of Channel 4’s hit show Made in Chelsea. He’s done it all. And what he hasn’t done, he’s seen. (Not in a weird way, obvs.)In a nutshell, that means one hell of a rollercoaster ride of trouble, misadventures, sexual mishaps, epic cringes and embarrassing secrets that nobody was ever supposed to know. Until now.Because in Laid in Chelsea Ollie – famously unlucky in love – is letting it all hang out. So to speak.From developing his first crush, dire first encounters, terrible dates to true love – as well as offering his unique advice on how to stay sane in the crazy world of love – Ollie’s laying it bare. And, of course, he reveals what really goes on behind the bedroom doors of Made in Chelsea…Witty, surprising, touching, downright hilarious and always honest, Laid in Chelsea is an exclusive insight into the mind of the modern man, and a backstage pass to the secret world of Chelsea.#laidinchelsea

SHORTLISTED FOR THE BERGER PRIZE FOR BRITISH ART HISTORY 2017SHORTLISTED FOR THE SLIGHTLY FOXED BEST FIRST BIOGRAPHY PRIZE 2017A SUNDAY TIMES ART BOOK OF THE YEARA SPECTATOR BOOK OF THE YEARAN ECONOMIST BOOK OF THE YEARA NEW YORK TIMES ART BOOK OF THE YEARFrom his time as Bernard Berenson’s protégé to being the Keeper of the Western Art at 27 and his appointment as the youngest-ever director of the National Gallery, Kenneth Clark displayed precocious genius. No voice has exercised so much power and influence over the arts in Britain as Clark’s. A formidable aesthete, his coterie included John Betjeman, Winston Churchill, Margot Fonteyn, E.M. Forster, Vivien Leigh, the Queen Mother and Henry Moore. Hidden from view, however, was his wife Jane’s alcoholism and his own philandering. In James Stourton’s dazzling biography, Clark is shown as a man who conveyed the profound beauty and importance of art, architecture and civilisation for generations to come.