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‘The best memoir by a senior politician for years.’ Simon Jenkins, Sunday TimesJohn Major’s autobiography is one of the most personal and revealing ever written by a former British Prime Minister. The account of his childhood, rise and fall is candid, scrupulous and unsparing.Major’s early life was extraordinary; his rise through Parliament meteoric. Soon a favourite of Margaret Thatcher, he became Foreign Secretary and then Chancellor of the Exchequer. When Thatcher fell, he fought and won a shrewd campaign to succeed her, and went on to win a remarkable general election victory in 1992. He brought down inflation and ushered in a solid economic recovery, yet within months of the 1992 election, his government was in troubled waters. John Major is candid about his fight to keep sterling in the ERM and his reactions to ‘Black Wednesday’. He is frank about the civil war within his party over Britain’s relationship with the EU. He is honest about what he won and what he lost, about friends and foes within his party as well as outside.

Janet Morgan’s definitive and authorised biography of Agatha Christie, with a new retrospective foreword by the author.Agatha Christie (1890–1976), the world’s bestselling author, is a public institution. Her creations, Hercule Poirot and Miss Marple, have become fiction’s most legendary sleuths and her ingenuity has captured the imagination of generations of readers. But although she lived to a great age and was prolific, she remained elusively shy and determinedly private.Given sole access to family papers and other protected material, Janet Morgan’s definitive biography unravels Agatha Christie’s life, work and relationships, creating a revealing and faithfully honest portrait. The book has delighted readers of Christie’s detective stories for more than 30 years with its clear view of her career and personality, and this edition includes a new foreword by the author reflecting on the longevity of Agatha Christie’s extraordinary success and popularity.

The warm, funny memoir of Gregor Fisher, the much loved Scottish actor best known for Rab C. Nesbitt, told as he uncovers his dramatic family history.Growing up in the Glasgow suburbs, Gregor was 14 when he asked where he was christened and was told that he was adopted. But it wasn’t quite that simple. And so began an unfolding of truths, half-truths and polite cover-ups from his various families. In 2014 Gregor approached Times columnist Melanie Reid to help him tell his story. Together they travelled through the mining villages of central Scotland to uncover the mystery of his birth and early life. What emerged was a story of secrets, deception, tragic accidents and early death, coldness and rejection from the very people who should have cherished him most, but a welcome from the most unexpected of quarters.From the squalor of industrial Coatbridge after WW1 to his own 1950s Glasgow childhood, via a love letter found in the wallet of a dead man and meeting his sister outside lost luggage at Glasgow Central, Gregor shares his family story with warmth and blunt Scottish humour.

Focusing on the art of self-portraiture, this effortlessly engaging exploration of the lives of artists sheds fascinating light on some of the most extraordinary portraits in art history.Self-portraits catch your eye. They seem to do it deliberately. Walk into any art gallery and they draw attention to themselves. Come across them in the world’s museums and you get a strange shock of recognition, rather like glimpsing your own reflection. For in picturing themselves artists reveal something far deeper than their own physical looks: the truth about how they hope to be viewed by the world, and how they wish to see themselves.In this beautifully written and lavishly illustrated book, Laura Cumming, art critic of the Observer, investigates the drama of the self-portrait, from Durer, Rembrandt and Velazquez to Munch, Picasso, Warhol and the present day. She considers how and why self-portraits look as they do and what they reveal about the artist’s innermost sense of self – as well as the curious ways in which they may imitate our behaviour in real life.Drawing on art, literature, history, philosophy and biography to examine the creative process in an entirely fresh way, Cumming offers a riveting insight into the intimate truths and elaborate fictions of self-portraiture and the lives of those who practise it. A work of remarkable depth, scope and power, this is a book for anyone who has ever wondered about the strange dichotomy between the innermost self and the self we choose to present for posterity – our face to the world.

Part 3 of 3Just when Casey thinks her foster care duties are done, she’s asked to look after Sam, a troubled nine-year-old with a violent streak who drove his previous guardians to release him of their care. It soon unfolds, however, that this is no simple case.Determined to get to the root of Sam’s behaviour, Casey is committed to uncover his mysterious past only to find out something far darker than she ever imagined…Having recently said goodbye to their last foster child, Miller, the Watson family are taking a bit of a break. But it’s while Casey is having fun catching up with her friends that she receives a call from her new link worker. Social services are desperately trying to find a settled home for nine-year-old Sam, who has Autism and some serious behavioural problems.Removed from his mother less than a week ago, Sam has been staying with respite carers. But with two young children of their own, they now find themselves unable to hold on to the little boy as he is bullying them relentlessly. It’s not an isolated situation, either. Apparently Sam’s own siblings begged not to be placed with their older brother – they were both adamant that they were too afraid of him.The Watsons agree to accommodate Sam, who, despite his tiny stature, turns out to be quite the whirlwind – destroying anything and everything in his path. In addition to the outward behaviours, it quickly becomes evident that there is a much darker past that has blighted the boy’s life. As Casey tries to get to the bottom of it, she discovers there are no files on Sam; only the testament of his previous neighbour. Thankfully, Mrs Gallagher is only too happy to help. And to talk. But it soon transpires that there is a great deal more to Sam’s secret history…

Part 2 of 3Just when Casey thinks her foster care duties are done, she’s asked to look after Sam, a troubled nine-year-old with a violent streak who drove his previous guardians to release him of their care. It soon unfolds, however, that this is no simple case.Determined to get to the root of Sam’s behaviour, Casey is committed to uncover his mysterious past only to find out something far darker than she ever imagined…Having recently said goodbye to their last foster child, Miller, the Watson family are taking a bit of a break. But it’s while Casey is having fun catching up with her friends that she receives a call from her new link worker. Social services are desperately trying to find a settled home for nine-year-old Sam, who has Autism and some serious behavioural problems.Removed from his mother less than a week ago, Sam has been staying with respite carers. But with two young children of their own, they now find themselves unable to hold on to the little boy as he is bullying them relentlessly. It’s not an isolated situation, either. Apparently Sam’s own siblings begged not to be placed with their older brother – they were both adamant that they were too afraid of him.The Watsons agree to accommodate Sam, who, despite his tiny stature, turns out to be quite the whirlwind – destroying anything and everything in his path. In addition to the outward behaviours, it quickly becomes evident that there is a much darker past that has blighted the boy’s life. As Casey tries to get to the bottom of it, she discovers there are no files on Sam; only the testament of his previous neighbour. Thankfully, Mrs Gallagher is only too happy to help. And to talk. But it soon transpires that there is a great deal more to Sam’s secret history…

Part 1 of 3Just when Casey thinks her foster care duties are done, she’s asked to look after Sam, a troubled nine-year-old with a violent streak who drove his previous guardians to release him of their care. It soon unfolds, however, that this is no simple case.Determined to get to the root of Sam’s behaviour, Casey is committed to uncover his mysterious past only to find out something far darker than she ever imagined…Having recently said goodbye to their last foster child, Miller, the Watson family are taking a bit of a break. But it’s while Casey is having fun catching up with her friends that she receives a call from her new link worker. Social services are desperately trying to find a settled home for nine-year-old Sam, who has Autism and some serious behavioural problems.Removed from his mother less than a week ago, Sam has been staying with respite carers. But with two young children of their own, they now find themselves unable to hold on to the little boy as he is bullying them relentlessly. It’s not an isolated situation, either. Apparently Sam’s own siblings begged not to be placed with their older brother – they were both adamant that they were too afraid of him.The Watsons agree to accommodate Sam, who, despite his tiny stature, turns out to be quite the whirlwind – destroying anything and everything in his path. In addition to the outward behaviours, it quickly becomes evident that there is a much darker past that has blighted the boy’s life. As Casey tries to get to the bottom of it, she discovers there are no files on Sam; only the testament of his previous neighbour. Thankfully, Mrs Gallagher is only too happy to help. And to talk. But it soon transpires that there is a great deal more to Sam’s secret history…

A BOY WITHOUT HOPE is the heart-breaking story of a boy who didn’t know the meaning of love. A history of abuse and neglect has left Miller destined for life’s scrap heap. But in this turbulent story of conflict and struggle, Casey Watson is determined to help Miller overcome his demons, show him love and give him hope.Casey Watson is back, doing the job she does best – rolling up her sleeves and fostering the children who, on first meeting, seem like hopeless cases. But when she meets Miller and discovers the truth about his disturbing childhood, even Casey begins to doubt if this child will ever be able to accept love.Found naked and alone on a railway track, Miller was just five when he was first admitted into the care system. Emotionally tormented by his biological parents, Miller has never understood how to establish meaningful relationships, and his destructive past, and over 20 failed placements, is sealing his fate in society’s social scrap heap.After a torrent of violent behaviour and numerous failed attempts to help Miller, Casey decides to make an intervention, implementing a severe regime that strips Miller of all control. But soon the emotional demands of Miller’s case start to take their toll on Casey and Mike. Just how far is Casey willing to go to help Miller and save him from his inner demons?

A BOY WITHOUT HOPE is the heart-breaking story of a boy who didn’t know the meaning of love. A history of abuse and neglect has left Miller destined for life’s scrap heap. But in this turbulent story of conflict and struggle, Casey Watson is determined to help Miller overcome his demons, show him love and give him hope.Casey Watson is back, doing the job she does best – rolling up her sleeves and fostering the children who, on first meeting, seem like hopeless cases. But when she meets Miller and discovers the truth about his disturbing childhood, even Casey begins to doubt if this child will ever be able to accept love.Found naked and alone on a railway track, Miller was just five when he was first admitted into the care system. Emotionally tormented by his biological parents, Miller has never understood how to establish meaningful relationships, and his destructive past, and over 20 failed placements, is sealing his fate in society’s social scrap heap.After a torrent of violent behaviour and numerous failed attempts to help Miller, Casey decides to make an intervention, implementing a severe regime that strips Miller of all control. But soon the emotional demands of Miller’s case start to take their toll on Casey and Mike. Just how far is Casey willing to go to help Miller and save him from his inner demons?

This book is pretty much our official story so far. It really does only seem like last week we played our first gig in at the Annandale hotel in Sydney. Since then we’ve been given the opportunity to turn into the people and musicians we wanted to be.The people who gave us the opportunity were the fans. So this book is like a thank you. We want everyone to know the story of how four western Sydney teenagers picked up their instruments and dreamt of being one of the biggest bands in the world. There’s also some embarrassing photos of us dicking around and some facts that some of us didn’t even know. So we hope you enjoy it!Love cal, luke, ash and mike x

To mark the 25th anniversary of Eric Morecambe’s death, You’ll Miss Me When I’m Gone is the first book to cover Eric’s whole life and untimely death, including unseen family photographs and new insights by Eric’s son Gary Morecambe.Published in the 25th anniversary year of Eric Morecambe’s death, You’ll Miss Me When I’m Gone is a celebration of Eric Morecambe’s life in words and previously unseen personal family photographs.Eric Morecambe and Ernie Wise are to this day still regarded as Britain’s most successful and best loved comedy duo, and their television shows from the 1970’s and 80’s are undoubtedly their finest work.For the first time, Eric Morecambe’s whole life, from his earliest days in his home-town of Morecambe right up to his death in Gloucestershire in 1984 are appraised by his son Gary. Included are photographs not seen by the family until recently – poignantly one of Eric at a friend’s wedding the day before he would collapse and die on stage. As the final and definitive book on Eric Morecambe,You’ll Miss Me features interviews with those who knew and loved Eric, including his wife Joan, Ronnie Corbett, Hamish McColl who wrote and starred in The Play What I Wrote and a foreword by Judi Dench.’You’ll miss me when I’m gone’ was Eric’s oft repeated plaintive remark when he’d been annoying the Morecambe family with his gags.The irony is that, 25 years after his death, the viewing nation still misses Eric Morecambe.

‘Extraordinarily powerful’ Emma ThompsonThere are a million love stories, and a million stories of addiction. This one is transcendent.Louisa Young met Robert Lockhart when they were both 17. Their stop-start romance lasted decades, in which time he became a celebrated composer and she, an acclaimed novelist.This is both a compelling portrait of a lifelong love affair, and an incredibly affecting guide to how the partner of a 'charismatic, infuriating, adorable, self-sabotaging’ alcoholic can find the strength to survive when the disease rips both their lives apart.