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‘John Douglas is the FBI's pioneer and master of investigative profiling, and one of the most exciting figures in law enforcement I've had the privilege of knowing’ Patricia Cornwell‘John Douglas knows more about serial killers than anybody in the world’ Jonathan Demme, Director of The Silence of the LambsThe legendary FBI criminal profiler, number-one New York Times bestselling author, and inspiration for the hit Netflix show Mindhunter delves deep into the lives and crimes of four of the most disturbing and complex predatory killers, offering never-before-revealed details about his profiling process, and divulging the strategies used to crack some of his most challenging cases.The FBI’s pioneer of criminal profiling, former special agent John Douglas, has studied and interviewed many of America’s most notorious killers – including Charles Manson, ‘Son of Sam Killer’ David Berkowitz and ‘BTK Strangler’ Dennis Rader. Twenty years after his famous memoir, the man who literally wrote the book on FBI criminal profiling opens his case files once again. In this riveting work of true crime, he spotlights four of the most diabolical criminals he’s confronted, interviewed and learned from.A glimpse into the mind of a man who has pierced the heart of human darkness, The Killer Across the Table unlocks the ultimate mystery of depravity and the techniques and approaches that have countered evil in the name of justice.

My eyes lifted to the horizon and the unmistakable snowy outline of Everest.Everest, the mountain of my childhood dreams. A mountain that has haunted me my whole life. A mountain I have seen hundreds of times in photographs and films but never in real life.In April 2018, seasoned adventurer Ben Fogle and Olympic cycling gold medallist Victoria Pendleton, along with mountaineer Kenton Cool, took on their most exhausting challenge yet – climbing Everest for the British Red Cross to highlight the environmental challenges mountains face. It would be harrowing and exhilarating in equal measure as they walked the fine line between life and death 8,000 metres above sea level.For Ben, the seven-week expedition into the death zone was to become the adventure of a lifetime, as well as a humbling and enlightening journey. For his wife Marina, holding the family together at home, it was an agonising wait for news. Together, they dedicated the experience to their son, Willem Fogle, stillborn at eight months.Cradling little Willem to say goodbye, Ben and Marina made a promise to live brightly. To embrace every day. To always smile. To be positive and to inspire. And from the depths of their grief and dedication, Ben’s Everest dream was born.Up, from here the only way was Up.Part memoir, part thrilling adventure, Ben and Marina’s account of his ascent to the roof of the world is told with their signature humour and warmth, as well as with profound compassion.

They call me Sour. The opposite of sweet. Shanking, stabbing, steaming, robbing, I did it all, rolling with the Man Dem. I did it because I was bad. I did it because I had heart. And the reason I reckon I got away with it for so long? Because I was a girl.SOUR is the true story of a former Brixton gang girl, drug dealer and full-time criminal. A member of the Younger 28s, a notorious gang that terrorised the postcodes around Brixton in the 90s, Sour escapes a troubled family life to immerse herself in the street life of likking and linking. She never leaves her house without a knife. At the age of fifteen, she stabs an innocent man in the street, earning her unrivalled respect and ‘Top-Dog’ status amongst her crew. She believes she is invincible.But the consequences of her actions are soon to catch up with her. Waking for the second time in two weeks in a hospital bed, to the news that she is pregnant, she realises it’s time to turn her life around. Motherhood will be a rude awakening, but it may also be her saving grace.Told with raw emotions and ferocious honesty, this is the real, on-the-record, story of one woman’s descent down the rabbit hole of gangland, and her efforts, as a daughter, mother and girlfriend, to claw herself out.

A dramatic and terrifying memoir of a ‘catfish’ scenario – when a woman meets a man online but nothing is what it seems.25-year-old Megan Henley put her five-year-old daughter to bed one evening and switched on her laptop. A Facebook ‘friend request’ seemed to be genuine. There were a few common friends and very similar interests, so Megan accepted.With that one simple act, she changed her life forever. In her words: ‘looking back on it, it was as if I had opened my front door to a stranger, as if I had thrown away every precaution I’d ever put in place, as if I had freely given access to my whole world – all because of some naïve belief that it was ‘just’ a friend request on a social media site.’ Megan is tricked into a relationship, paranoia, and ultimately betrayal by the man she loved and trusted but nothing is as it seems.

A dramatic and terrifying memoir of a ‘catfish’ scenario – when a woman meets a man online but nothing is what it seems.25-year-old Megan Henley put her five-year-old daughter to bed one evening and switched on her laptop. A Facebook ‘friend request’ seemed to be genuine. There were a few common friends and very similar interests, so Megan accepted.With that one simple act, she changed her life forever. In her words: ‘looking back on it, it was as if I had opened my front door to a stranger, as if I had thrown away every precaution I’d ever put in place, as if I had freely given access to my whole world – all because of some naïve belief that it was ‘just’ a friend request on a social media site.’ Megan is tricked into a relationship, paranoia, and ultimately betrayal by the man she loved and trusted but nothing is as it seems.

A dramatic and terrifying memoir of a ‘catfish’ scenario – when a woman meets a man online but nothing is what it seems.25-year-old Megan Henley put her five-year-old daughter to bed one evening and switched on her laptop. A Facebook ‘friend request’ seemed to be genuine. There were a few common friends and very similar interests, so Megan accepted.With that one simple act, she changed her life forever. In her words: ‘looking back on it, it was as if I had opened my front door to a stranger, as if I had thrown away every precaution I’d ever put in place, as if I had freely given access to my whole world – all because of some naïve belief that it was ‘just’ a friend request on a social media site.’ Megan is tricked into a relationship, paranoia, and ultimately betrayal by the man she loved and trusted but nothing is as it seems.

A dramatic and terrifying memoir of a ‘catfish’ scenario – when a woman meets a man online but nothing is what it seems.25-year-old Megan Henley put her five-year-old daughter to bed one evening and switched on her laptop. A Facebook ‘friend request’ seemed to be genuine. There were a few common friends and very similar interests, so Megan accepted.With that one simple act, she changed her life forever. In her words: ‘looking back on it, it was as if I had opened my front door to a stranger, as if I had thrown away every precaution I’d ever put in place, as if I had freely given access to my whole world – all because of some naïve belief that it was ‘just’ a friend request on a social media site.’ Megan is tricked into a relationship, paranoia, and ultimately betrayal by the man she loved and trusted but nothing is as it seems.

The Puppet Master is back with the inside story.Written by one half of the Fluck and Law partnership, which produced Spitting Image for many years, this book will catch up with creative spirit Roger Law to investigate life at sixty through the eyes of the puppet master.Roger Law, the evil genius behind the mocking, caricature puppets of Spitting Image – which lampooned Margaret Thatcher, ridiculed the Royal Family and gave birth to 'The Chicken Song' – unburdens his tormented soul and tells the awful truth of how it all came about.The award-winning series ran for eight years, with Law masterminding the corruption and undermining of an entire generation's respect for authority and institutions, and giving voice to such comedic reprobates as Harry Enfield, Pamela Stephenson and Rory Bremner. He subjected the British public to political outrages – to a reception of delight and indignation in equal measure – every Sunday evening from 1984 to 1992.When the satire bubble finally burst, Law found himself too young for retirement, too old to be retrained and without any discernable talent for domesticity or addressing a golf ball. In short, very thoroughly rinsed up.Confronted with 'one day off after another as far as the eye can see,' Law did what some people thought was the only decent thing he could do, possibly had ever done – he transported himself to Australia.STILL SPITTING AT SIXTY is Roger Law's account of his life in retirement down-under, filled with all the lunacy and flare that one would expect from the co-producer and creator of Spitting Image.

The heart-warming true story of the bond between a feisty octogenarian and the man in charge of building a shopping mall on top of her home – which inspired the opening scene of the Pixar movie Up!Edith Macefield achieved folk hero status in 2006 when she turned down $1 million to sell her home to make way for a commercial development in a small neighborhood of Seattle. It didn’t matter that her tiny house was surrounded by rubble and graffiti. It was home. Barry Martin respected that, and when he took the job as construction supervisor for the shopping mall that was being erected around Edith’s little house, he determined to make things as easy as he could for Edith. He gave her his phone number and told her to call if she needed anything. And she did.The day Edith asked Barry to drive her to a hair appointment, an unlikely friendship was sparked, one that changed them both forever. As Barry helps Edith through the last days of her life, she helps him deal with the effects of the Alzheimer’s that is diminishing his beloved father. She learns to laugh and let go. He learns about compassion and grace.Full of heart and warmth, ‘Under One Roof’ is an true story that reminds us the most important things in life can’t be bought.

WINNER OF THE HRF KEATING AWARD FOR BEST NON-FICTION CRIME BOOK 2018An entertaining history of British thrillers from Casino Royale to The Eagle Has Landed, in which award-winning crime writer Mike Ripley reveals that, though Britain may have lost an empire, her thrillers helped save the world. With a foreword by Lee Child.When Ian Fleming dismissed his books in a 1956 letter to Raymond Chandler as ‘straight pillow fantasies of the bang-bang, kiss-kiss variety’ he was being typically immodest. In three short years, his James Bond novels were already spearheading a boom in thriller fiction that would dominate the bestseller lists, not just in Britain, but internationally.The decade following World War II had seen Britain lose an Empire, demoted in terms of global power and status and economically crippled by debt; yet its fictional spies, secret agents, soldiers, sailors and even (occasionally) journalists were now saving the world on a regular basis.From Ian Fleming and Alistair MacLean in the 1950s through Desmond Bagley, Dick Francis, Len Deighton and John Le Carré in the 1960s, to Frederick Forsyth and Jack Higgins in the 1970s.Many have been labelled ‘boys’ books’ written by men who probably never grew up but, as award-winning writer and critic Mike Ripley recounts, the thrillers of this period provided the reader with thrills, adventure and escapism, usually in exotic settings, or as today’s leading thriller writer Lee Child puts it in his Foreword: ‘the thrill of immersion in a fast and gaudy world.’In Kiss Kiss, Bang Bang, Ripley examines the rise of the thriller from the austere 1950s through the boom time of the Swinging Sixties and early 1970s, examining some 150 British authors (plus a few notable South Africans). Drawing upon conversations with many of the authors mentioned in the book, he shows how British writers, working very much in the shadow of World War II, came to dominate the field of adventure thrillers and the two types of spy story – spy fantasy (as epitomised by Ian Fleming’s James Bond) and the more realistic spy fiction created by Deighton, Le Carré and Ted Allbeury, plus the many variations (and imitators) in between.

The complete oral history of Monty Python – one of comedy's most legendary and influential troupes – publishing to coincide with the 50th anniversary of their BBC debut.With a foreword by John Oliver from Last Week Tonight‘Gilliam is one of the most manipulative bastards in that group of manipulative bastards. Michael is a selfish bastard, Cleese a control freak, Jonesy is shagged out and now forgets everything, and Graham as you know is still dead. I am the only real nice one!’ Eric IdleWith their dead parrots, holy grails and spam, Monty Python revolutionised comedy for the rest of the world. They paved the way for everything from Saturday Night Live to The Young Ones to The Simpsons. Its founding members, including the supremely talented writers/performers John Cleese, Terry Gilliam, Terry Jones and Michael Palin, ushered in a new brand of surrealist comedy: a stream-of-consciousness sketch show that pushed the boundaries of format, style and content. Its legacy is not only important; it’s monumental.In Monty Python Speaks!, David Morgan has extensively interviewed the entire world of Python – from producers and collaborators like Douglas Adams, to the founding members themselves – to create the ultimate record of Britain’s most revolutionary and successful comedy act. Packed with rare and never-before-seen photographs, and told with all the group’s customary wit and irreverence (and spam), this is the inside story of a comedy phenomenon.

When Zoe was taken into care at the age of 13, she thought she was finally going to escape from the cruel abuse she had suffered throughout her childhood. Then social services placed her in a residential unit known to be 'a target for prostitution', and suddenly Zoe's life was worse than it had ever been before.Abused and ostracized by her mother, humiliated by her father’s sexual innuendos, physically assaulted and bullied by her eldest brother, even as a young child Zoe thought she deserved the desperately unhappy life she was living.‘I’ve sharpened a knife for you,’ her mother told her the first time she noticed angry red wounds on her daughter’s arms. And when Zoe didn’t kill herself, her mother gave her whisky, which she drank in the hope that it would dull the miserable, aching loneliness of her life.One day at school Zoe showed her teacher the livid bruises that were the result of her mother’s latest physical assault and within days she was taken into care.Zoe had been at Denver House for just three weeks when an older girl asked if she’d like to go to a party, then took her to a house where there were just three men. Zoe was a virgin until that night, when two of the men raped her. Having returned to the residential unit in the early hours of the morning, when she told a member of staff what had happened to her, her social worker made a joke about it, then took her to get the morning-after pill.For Zoe, the indifference of the staff at the residential unit seemed like further confirmation of what her mother had always told her – she was worthless. Before long, she realised that the only way to survive in the unit was to go to the ‘parties’ the older girls were paid to take her to, drink the drinks, smoke the cannabis and try to blank out what was done to her when she was abused, controlled and trafficked around the country.No action was taken by the unit's staff or social workers when Zoe asked for their help, and without anyone to support or protect her, the horrific abuse continued for the next few years, even after she left the unit. But in her heart Zoe was always a fighter. This is the harrowing, yet uplifting story, of how she finally broke free of the abuse and neglect that destroyed her childhood and obtained justice for her years of suffering.