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Начало XI века. Великий князь Владимир Креститель уже сед, и пора ему думать о том, кому из многочисленных сыновей передать власть в Киеве. Но не даёт покоя князю его приёмный сын, «зол плод» Святополк, который стремится к власти. Есть в этом и вина самого Владимира, потому что не всегда он обходился с сыном хорошо, а теперь Святополк полагает, что киевский престол должен стать платой за все прежние несладкие годы. Святополк упрям в достижении своей цели, и как бы ни стремился Владимир исправить ошибки, тяжкое наследство оставит он своему сыну Ярославу, будущему князю Киевскому.

Это роман о послереволюционных событиях 1918–1920 годов на Урале. По рассказам очевидцев, воспоминаниям непосредственных участников и архивным документам автор воссоздает картину народного раскола на востоке России в годы Гражданской войны, когда не только дворяне, но и значительная часть рабочих и крестьян, включая беднейшие слои, выступили против большевиков. Писатель рассматривает братоубийственную войну как трагедию русского народа, разделившую смертельной враждой отцов и детей, братьев и сестер, друзей, земляков.

WHAT MAKES A HERO? WHO BETTER TO ANSWER THAT QUESTION THAN LEE CHILD… ‘It’s Lee Child. Why would you not read it?’ Karin Slaughter ‘I don't know another author so skilled at making me turn the page’ The Times In his first work of nonfiction, the creator of the multimillion-selling Jack Reacher series explores the endurance of heroes from Achilles to Bond, showing us how this age-old myth is a fundamental part of what makes us human. He demonstrates how hero stories continue to shape our world – arguing that we need them now more than ever. From the Stone Age to the Greek Tragedies, from Shakespeare to Robin Hood, we have always had our heroes. The hero is at the centre of formative myths in every culture and persists to this day in world-conquering books, films and TV shows. But why do these characters continue to inspire us, and why are they so central to storytelling? Scalpel-sharp on the roots of storytelling and enlightening on the history and science of myth, The Hero is essential reading for anyone trying to write or understand fiction. Child teaches us how these stories still shape our minds and behaviour in an increasingly confusing modern world, and with his trademark concision and wit, demonstrates that however civilised we get, we’ll always need heroes.

Ben Horowitz, a leading venture capitalist, modern management expert, and New York Times bestselling author combines lessons both from history and modern organisational practice with practical and often surprising advice to help us build cultures that can weather both good and bad times. The times and circumstances in which people were raised often shape them – yet a few leaders have managed to shape their times. In this follow-up to the bestselling business classic The Hard Thing About Hard Things, Ben Horowitz turns his attention to a question crucial to every organisation: How do you create and sustain the culture you want? This book is a journey through cultures ancient to modern, spotlighting models of leadership and culture-building from the samurai to prison gangs. Along the way, it answers fundamental questions: Who are we? How do people talk about us when we’re not around? How do we treat our customers? Can we be trusted? Because who you are is not the values you list on the wall. It’s not what you say in a company-wide meeting. It’s not your marketing campaign. It’s not even what you believe. Who you are is what you do. This book will help you do the things needed to become the kind of leader you want to be – and others want to follow.

In his first book, the creator of the award-winning podcast Hardcore History looks to some of humanity’s most apocalyptic moments to understand the challenges of our future. Do tough times create tougher people? Can humanity handle the power of its weapons without destroying itself? Will human technology or capabilities ever peak or regress? Why, since the dawn of time, has it always seemed as though death and destruction is waiting just around the corner? In The End is Always Near, Dan Carlin connects the past and future in fascinating and colourful ways, exploring a question that has hung over humanity like the Sword of Damocles from the collapse of the Bronze Age to the nuclear era – that of human survival. Combining his trademark mix of storytelling, history, and thought experiments, Carlin forces us to consider what sounds like fantasy: that we might suffer the same fate as all previous civilisations. Will our world ever become a ruin for future archaeologists to dig up and explore? This thrillingly expansive and entertaining book will make you look at the past – and future – in a completely different way.

‘Mendelsohn takes the classical costumes off figures like Virgil and Sappho, Homer and Horace … He writes about things so clearly they come to feel like some of the most important things you have ever been told. ’ Sebastian Barry Over the past three decades, Daniel Mendelsohn’s essays and reviews have earned him a reputation as ‘our most irresistible literary critic’ (New York Times). This striking new collection exemplifies the way in which Mendelsohn – a classicist by training – uses the classics as a lens to think about urgent contemporary debates. There is much to surprise here. Mendelsohn invokes the automatons featured in Homer’s epics to help explain the AI films Ex Machina and Her, and perceives how Ted Hughes sought redemption by translating a play of Euripides (the ‘bad boy of Athens’) about a wayward husband whose wife returns from the dead. There are essays on Sappho’s sexuality and the feminism of Game of Thrones; on how Virgil’s Aeneid prefigures post-World War II history and why we are still obsessed with the Titanic; on Patrick Leigh Fermor’s final journey, Karl Ove Knausgaard’s autofiction and the plays of Tom Stoppard, Tennessee Williams, and Noël Coward. The collection ends with a poignant account of the author’s boyhood correspondence with the historical novelist Mary Renault, which inspired his ambition to become a writer. In The Bad Boy of Athens, Mendelsohn provokes and dazzles with erudition, emotion and tart wit while his essays dance across eras, cultures and genres. This is a provocative collection which sees today’s master of popular criticism using the ancient past to reach into the very heart of modern culture.

‘Another terrific book by Rob Eastaway’ SIMON SINGH ‘A delightfully accessible guide to how to play with numbers’ HANNAH FRY How many cats are there in the world? What's the chance of winning the lottery twice? And just how long does it take to count to a million? Learn how to tackle tricky maths problems with nothing but the back of an envelope, a pencil and some good old-fashioned brain power. Join Rob Eastaway as he takes an entertaining look at how to figure without a calculator. Packed with amusing anecdotes, quizzes, and handy calculation tips for every situation, Maths on the Back of an Envelope is an invaluable introduction to the art of estimation, and a welcome reminder that sometimes our own brain is the best tool we have to deal with numbers.

Powerful and influential kings have long dominated our view of global history, their queens often relegated to the shadows, their influence, deeds and sacrifices unacknowledged and lost in the passing of time. But not anymore… This book chronicles the forgotten queens from across the globe – those who ruled in their own right, and those who were wives or mothers of reigning kings. All of whom wielded significant power. A smattering of queens, such as Queen Elizabeth I and Catherine the Great of Russia, are known and celebrated, but many more have been glossed over, maligned by historians or dismissed as mere bit-players on the world stage. We are all familiar with the great Roman emperors but what of Queen Zenobia, a rebel queen of the Middle East who took on the Roman Empire? William the Conqueror, the Norman invader of England in 1066, is an iconic figure in history, but how much do you know about his powerful ally and wife Matilda of Flanders? Long Live the Queens rescues these phenomenal women from obscurity, exploring their achievements and deeds, and shedding light on the sacrifices female rulers throughout history have had to make in a patriarchal world. Learn about the trailblazers, game-changers and mighty monarchs who have no business in being forgotten.

What does Brexit mean to you? For award-winning historian David Reynolds, it’s neither a saga of British liberation nor a Westminster soap: it’s a crisis of national identity a long time in the making. Politicians like to extol ‘our island story’ as if there is just one island and one story. Island Stories takes a broader view, exploring the history of Britain’s identity through the great defining narratives of its past, from rise and decline to engagement in Europe and the legacies of empire. This is a book that resets our perspective on Britain and its place in the world. Traversing the centuries, Reynolds sheds fresh light on topics ranging from the slave trade to the heritage industry, from the ‘Channel’ to the ‘special relationship’, from India to the ‘English problem’. He examines how other critical turning points have forged our history, including the Act of Union with Scotland and the political mishandling of post-1945 immigration. Island Stories also looks carefully across the Irish Sea, noting – as Brexit has shown again – that Ireland is the ‘other island’ the English have always been dangerously happy to forget. Island Stories leads us on an exciting journey through history, investigating how Britain’s sense of national identity has been shaped and contested, and how that saga has brought us to the era of Brexit. Combining sharp historical analysis with vivid human stories, this is big history with a light touch that will challenge and entertain anyone interested in where Britain has come from and where it is heading.

THE NEW YORK TIMES BESTSELLER ‘The farewell calls from the planes… the mounting terror of air traffic control… the mothers who knew they were witnessing their loved ones perish… From an author who’s spent 5 years reconstructing its horror, never has the story been told with such devastating, human force’ Daily Mail This is a 9/11 book like no other. Masterfully weaving together multiple strands of the events in New York, at the Pentagon, and in Shanksville, Pennsylvania, Fall and Rise is a mesmerising, minute-by-minute account of that terrible day. In the days and months after 9/11, Mitchell Zuckoff, then a reporter for the Boston Globe, wrote about the attacks, the victims, and their families. After further years of meticulous reporting, Zuckoff has filled Fall and Rise with voices of the lost and the saved. The result is an utterly gripping book, filled with intimate stories of people most affected by the events of that sunny Tuesday in September: an out-of-work actor stuck in an elevator in the North Tower of the World Trade Center; the heroes aboard Flight 93 deciding to take action; a veteran trapped in the inferno in the Pentagon; the fire chief among the first on the scene in sleepy Shanksville; a team of firefighters racing to save an injured woman and themselves; and the men, women, and children flying across country to see loved ones or for work who suddenly faced terrorists bent on murder. Fall and Rise will open new avenues of understanding for everyone who thinks they know the story of 9/11, bringing to life – and in some cases, bringing back to life – the extraordinary ordinary people who experienced the worst day in modern American history. Destined to be a classic, Fall and Rise will move, shock, inspire, and fill hearts with love and admiration for the human spirit as it triumphs in the face of horrifying events.

A masterly history of the Dambusters raid from bestselling and critically acclaimed Max Hastings. Operation Chastise, the overnight destruction of the Möhne and Eder dams in north-west Germany by the RAF’s 617 Squadron, was an epic that has passed into Britain’s national legend. Max Hastings grew up embracing the story, the classic 1955 movie and the memory of Guy Gibson, the 24-year-old wing-commander who won the VC leading the raid. In the 21st Century, however, Hastings urges that we should review the Dambusters in much more complex shades. The aircrew’s heroism was wholly authentic, as was the brilliance of Barnes Wallis, who invented the ‘bouncing bombs’. But commanders who promised their young fliers that success could shorten the war fantasised wildly. What Germans call the Möhnekatastrophe imposed on the Nazi war machine temporary disruption, rather than a crippling blow. Hastings vividly describes the evolution of Wallis’ bomb, and of the squadron which broke the dams at the cost of devastating losses. But he also portrays in harrowing detail those swept away by the torrents. Some 1,400 civilians perished in the biblical floods that swept through the Möhne valley, more than half of them Russian and Polish women, slave labourers under Hitler. Ironically, Air Marshal Sir Arthur ‘Bomber’ Harris gained much of the credit, though he opposed Chastise as a distraction from his city-burning blitz. He also made what the author describes as the operation’s biggest mistake – the failure to launch a conventional attack on the Nazis’ huge post-raid repair operation, which could have transformed the impact of the dam breaches upon Ruhr industry. Chastise offers a fascinating retake on legend by a master of the art. Hastings sets the dams raid in the big picture of the bomber offensive and of the Second World War, with moving portraits of the young airmen, so many of whom died; of Barnes Wallis; the monstrous Harris; the tragic Guy Gibson, together with superb narrative of the action of one of the most extraordinary episodes in British history.

This is a book about a poet, about a poem, about a city, and about a world at a point of change. More than a work of literary criticism or literary biography, it is a record of why and how we create and respond to great poetry. This is a book about a poet – W. H. Auden, a wunderkind, a victim-beneficiary of a literary cult of personality who became a scapegoat and a poet-expatriate largely excluded from British literary history because he left. About a poem – ‘September 1, 1939’, his most famous and celebrated, yet one which he tried to rewrite and disown and which has enjoyed – or been condemned – to a tragic and unexpected afterlife. About a city – New York, an island, an emblem of the Future, magnificent, provisional, seamy, and in 1939 about to emerge as the defining twentieth-century cosmopolis, the capital of the world. And about a world at a point of change – about 1939, and about our own Age of Anxiety, about the aftermath of September 11, when many American newspapers reprinted Auden’s poem in its entirety on their editorial pages.