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An engaging, wickedly funny and splendidly anecdotal memoir of a career spent among writers, agents, publishers and bookmen and women of every stripe.Jeremy Lewis's first memoir, 'Playing for Time', was hailed by James Lees-Milne as 'the funniest and best written book I've read for years.' His second, 'Kindred Spirits', was described by John Carey as 'sheer pleasure from start to finish'. Now he has written a third autobiographical account of his encounters with literary figures over the last two decades which fittingly caps the previous two.A rich sense of the absurd and a profound understanding of the extreme comicality of life, together with a delight in the oddities of human behaviour, are the hallmarks of Jeremy Lewis's world. Bumbling figures of the book trade and eccentric luminaries of Grub Street alike are grist to his mill; his characterisations of André Deutsch, James Lees-Milne, Alan Ross, Richard Cobb, Barbara Skelton and dozens of others – are written with huge warmth and affection.Seldom has modern literary life been described with such a sense of relish and enjoyment; and seldom has the reader been so richly entertained by a gallery of eccentric portraits.

It’s late on Friday night when Casey’s mobile starts to ring. She is expecting it to be her daughter Riley. But it isn’t Riley. It’s a woman from the Emergency Duty Team. So begins Casey and Mike’s latest fostering challenge – a fifteen-year-old girl called Keeley who’s run away from her long-term foster home 25 miles away.The Jonathan Ross Show has just started when Casey gets the call. She thinks it will be Riley – telling her that her favourite actor is going to be on TV. But it’s something far more urgent: a fifteen-year-old girl who has run away from her foster family and accused her foster father of sexual abuse. The family deny in vehemently, but such an allegation can never be taken lightly, so a new home must be found for Keeley.Keeley is polite, but she’s sharp, and she has all the hallmarks of a child who has been in the system a long time, and knows how to play it. Whether the allegation is true or not, Casey knows there will be no winners here. If it is true, then a young girl’s life has been torn asunder. If not, then the heartache for the family will only be surpassed by the bleak outlook for Keeley.In the short term, it’s a case of providing a safe, supportive home for a vulnerable child. But with the dangerous world of the internet at her disposal, it seems this strong-minded youngster has her own ideas of where that safe place should be…

It’s late on Friday night when Casey’s mobile starts to ring. She is expecting it to be her daughter Riley. But it isn’t Riley. It’s a woman from the Emergency Duty Team. So begins Casey and Mike’s latest fostering challenge – a fifteen-year-old girl called Keeley who’s run away from her long-term foster home 25 miles away.The Jonathan Ross Show has just started when Casey gets the call. She thinks it will be Riley – telling her that her favourite actor is going to be on TV. But it’s something far more urgent: a fifteen-year-old girl who has run away from her foster family and accused her foster father of sexual abuse. The family deny in vehemently, but such an allegation can never be taken lightly, so a new home must be found for Keeley.Keeley is polite, but she’s sharp, and she has all the hallmarks of a child who has been in the system a long time, and knows how to play it. Whether the allegation is true or not, Casey knows there will be no winners here. If it is true, then a young girl’s life has been torn asunder. If not, then the heartache for the family will only be surpassed by the bleak outlook for Keeley.In the short term, it’s a case of providing a safe, supportive home for a vulnerable child. But with the dangerous world of the internet at her disposal, it seems this strong-minded youngster has her own ideas of where that safe place should be…

It’s late on Friday night when Casey’s mobile starts to ring. She is expecting it to be her daughter Riley. But it isn’t Riley. It’s a woman from the Emergency Duty Team. So begins Casey and Mike’s latest fostering challenge – a fifteen-year-old girl called Keeley who’s run away from her long-term foster home 25 miles away.The Jonathan Ross Show has just started when Casey gets the call. She thinks it will be Riley – telling her that her favourite actor is going to be on TV. But it’s something far more urgent: a fifteen-year-old girl who has run away from her foster family and accused her foster father of sexual abuse. The family deny in vehemently, but such an allegation can never be taken lightly, so a new home must be found for Keeley.Keeley is polite, but she’s sharp, and she has all the hallmarks of a child who has been in the system a long time, and knows how to play it. Whether the allegation is true or not, Casey knows there will be no winners here. If it is true, then a young girl’s life has been torn asunder. If not, then the heartache for the family will only be surpassed by the bleak outlook for Keeley.In the short term, it’s a case of providing a safe, supportive home for a vulnerable child. But with the dangerous world of the internet at her disposal, it seems this strong-minded youngster has her own ideas of where that safe place should be…

From the double Man Booker Prize-winning author of ‘Wolf Hall’, a wry, shocking and beautiful memoir of childhood, ghosts, hauntings, illness and family.At no. 58 the top of my head comes to the outermost curve of my great-aunt, Annie Connor. Her shape is like the full moon, her smile is beaming; the outer rim of her is covered by her pinny, woven with tiny flowers. It is soft from washing; her hands are hard and chapped; it is barely ten o'clock and she is getting the cabbage on. 'Hello, Our Ilary,' she says; my family has named me aspirationally, but aspiration doesn't stretch to the 'H'.Giving Up the Ghost is award-winning novelist Hilary Mantel's wry, shocking and uniquely unusual five-part autobiography of childhood, ghosts, illness and family.It opens in 1995 with 'A Second Home', in which Mantel describes the death of her stepfather, a death which leaves her deeply troubled by the unresolved events of childhood. ‘Now Geoffrey Don't Torment Her' begins in typical, gripping Mantel fashion: 'Two of my relatives have died by fire.' Set during the 1950s, it takes the reader into the muffled consciousness of her early childhood, culminating with the birth of a younger brother and the strange candlelit ceremony of her mother's 'churching'. In 'The Secret Garden' Mantel moves to a haunted house and mysteriously gains a stepfather. When she is almost eleven, her family flee the gossips and the ghosts, and resolve to start a new life. 'Smile' is an account of teenage perplexity, in a household where the keeping of secrets has become a way of life. Convent school provides a certain sanctuary, with tacit assistance from the fearsome 'Top Nun.' In the final section, the author tells how, through medical misunderstandings and neglect, she came to be childless, and how the ghosts of the unborn, like chances missed or pages unturned, have come to haunt her life as a writer.

‘The word “mesmerising” is frequently applied to memoirs, but seldom as deservedly as in the case of Girl With Dove’ Financial Times‘Reading is a form of escape and an avid reader is an escape artist…’Growing up in a dilapidated house by the sea where men were forbidden, Sally’s childhood world was filled with mystery and intrigue. Hippies trailed through the kitchen looking for God – their leader was Aunt Di, who ruled the house with charismatic force. When Sally’s baby brother vanishes from his pram, she becomes suspicious of the activities going on around her. What happened to Baby David and the woman called Poor Sue? And where did all the people singing and wailing prayers in the front room suddenly go?Disappearing into a world of books and reading, Sally adopts the tried and tested methods of Miss Marple. Taking books for hints and clues, she turns herself into a reading detective. Her discovery of Jane Eyre marks the beginning of a vivid journey through Victorian literature where she also finds the kind, eccentric figure of Charles Dickens’ Betsey Trotwood. These characters soon become her heroines, acting as a part of an alternative family, offering humour and guidance during many difficult moments in Sally’s life.Combining the voices of literary characters with those of her real-life counterparts, Girl With Dove reads as a magical series of strange encounters, climaxing with a comic performance of Shakespeare in the children’s home where Sally is eventually sent.Weaving literary classics with a young girl’s coming of age story, this is a book that testifies to the transformative power of reading and the literary imagination. Mixing fairy tale, literary classics, nursery rhymes and folklore, it is the story of a child’s adventure in wonderland and search for truth in an adult world often cast in deep shadow.

From the bestselling author of Eats, Shoots and Leaves, a hilarious new book from Lynne Truss about her strange journey through the world of sport and sports journalism.Get Her Off the Pitch! is the story of one woman's foray into the very masculine and rather baffling world of sport. Lynne Truss, author of Eats, Shoots and Leaves, spent four years as an unlikely sports writer for The Times. It was a job that took her around the world (via the most difficult journeys and least glamorous hotels) and introduced her to some of the greatest living sportsmen (and many argumentative men with clipboards).During her time at the newspaper she faced disdain from fellow sports writers; undertook last-minute, pre-fight research into 'The Rumble in the Jungle' (Muhammad Ali won, surprisingly); tried unsuccessfully to interpret bizarre commentary and memorize results statistics; wept at football matches and discovered a lasting love for golf. She was even nominated for Sports Writer of the Year.Get Her Off the Pitch! is the hilarious, perceptive and at times moving account of those four strange years. It is perfect for those for whom sport is a matter of life and death, for those who have no idea what all the fuss is about – and for everyone in between.

A biography of Borges, by his translator.Jorge Luis Borges, known as Georgie to his friends, married Elsa Astete Millán in 1967. Borges was sixty-eight years old at the time of the wedding; Elsa, a widow,with a son in his twenties, was eleven years younger.It proved to be a tempestuous and eventful marriage that would leave an indelible mark on the remainder of Borges’ life, but their relationship has been largely glossed over by previous biographers. This is because the one person who knew all the details has refused to speak about it.Until now.Norman Thomas di Giovanni worked with Borges in Cambridge, Massachusetts, and in Buenos Aires from late 1967 to 1972 and thereafter sporadically until Borges’s death in 1986. During their first period together di Giovanni spent more time with the couple than did almost anyone else. He was privy to the private side of their relationship and to its sudden decline. It was di Giovanni who helped the demoralized Borges by organizing and arranging his divorce and at the same time rescuing his library and smuggling him out of Buenos Aires to avoid the wrath of Elsa and her lawyers.The book is based on the author’s extensive collection of original material in the form of diaries, notebooks, letters, manuscripts, and photographs, most of which has never before been seen. It provides a unique insight into one of the few true geniuses of literature.