Публицистика - скачать книги или читать онлайн. Страница 545

The Empress of Crime's life was the ultimate detective story – revealed for the first time in this forthright and perceptive biography.While Ngaio Marsh had a flamboyant public persona, she was fiercely protective of her private life. And no one knows better how to cover tracks with red herrings and remove incriminating evidence than a crime fiction writer…This fascinating biography of Ngaio Marsh pieces together both the public and private Marsh in a way that is as riveting as a crime novel. Through her writing and her theatre work, Joanne Drayton assembles the pieces to the puzzle that is Marsh, proving that life can be as thrilling as fiction. Marsh wrote her first detective novel in a London flat in the depths of the 1930s Depression, bringing life to Detective Inspector Roderick Alleyn in her first book, A Man Lay Dead. Through 32 novels he would establish himself as one of the great super-sleuths, and Marsh as one of the four Queens of Golden Age detective fiction, alongside Agatha Christie, Dorothy Sayers and Margery Allingham.In 1932, a family tragedy brought Marsh home to New Zealand, to a life divided – between hemispheres, between passionate relationships at home and abroad, and between the world of publishing and her life as a stage director. In 1949 her writing would earn her the ultimate distinction when Penguin and Collins released the 'Marsh Million': 100,000 copies each of ten of her titles on to the world market. The popular appetite for classic whodunits was insatiable and Ngaio Marsh was one of the best. But her greatest love was the stage – or was it?

Previously published in hardback as Hey Jo, this is a moving and candid memoir from the woman who married the most controversial member of the Rolling Stones, and had the strength and courage to bounce back from heartbreak.When young model and mother Jo met rock star Ronnie Wood, she had no idea what her brief flirtation with this brilliant, charismatic musician would become.A raw and rollicking narrative from the eye of the storm, Jo’s extraordinary story of life as a Rolling Stone girlfriend, then wife, mother and more, is a never-before-heard account of the heady hedonistic Ronnie Wood years – the drugs, the roadies, the tours, and the booze – and a celebration of her new-found happiness as an entrepreneur, fashion icon and beauty expert.Following the public breakdown of her marriage, Jo moved on with a dignity and lack of bitterness that won her fans across the country. Now a successful businesswoman, a passionate campaigner of pure, organic living, and a thriving name in fashion, Jo has learnt to embrace her new found vitality, and in doing so has become the heroine of everyone from 20-something fashionistas to Strictly Come Dancing devotees.This is Jo’s journey, from the breathtaking highs of her and Ronnie’s shared infatuation and love, to the devastating lows of his sudden disappearances, drug-induced mania and seizures, and how she learned to walk away without regret or bitterness, and forgive.

Following Phyllida Law’s wonderful and acclaimed ‘Notes to my Mother-in-Law’ – which comically and tenderly documented the author’s relationship with her husband’s mother who lived with the family for 17 years – we now have a chronicle of Phyllida’s relationship with her own mother who suffered from dementia. Recently widowed, bringing up her own two daughters (actresses Emma and Sophie Thompson) and working as a successful actress herself, Phyllida went up and down to Scotland to spend as much time with her ailing mother as she could manage. During the period she kept a lively and frank journal noting many of the sad yet funny examples of her mother’s faltering grip on reality. The journal includes reminiscences of her own childhood and the tragic death of her only brother.This book promises to be just as warm and moving as her first and will also be beautifully enhanced by the author’s illustrations.

What if Christopher Marlowe staged his own death, fled to the Continent and went on to write the works we now attribute to Shakespeare?'About anyone so great as Shakespeare, it is probable that we can never be right; and if we can never be right, it is better that we should from time to time change our way of being wrong.' T. S. EliotMark Twain likened writing the biography of Shakespeare to reconstructing the skeleton of a brontosaurus – using 'nine bones and six hundred barrels of plaster of Paris'. We work with a handful of facts and a pile of conjecture. All biographies of Shakespeare, from the wayward to the academic, use the same few-score hard facts kneaded together with legend, then leavened by a dash of zeitgeist and a large dollop of author's imagination. Poems and plays are plundered for booty, even by those who profess scepticism as to the inferences that can be drawn about the life from the work. Like statistics, quotations can be turned to very different facts.This book is not, of course, an attempt to prove that Christopher Marlowe staged his own death, fled to the continent, and went on to write the work attributed to Shakespeare. It, however, playfully assumes that as its starting point, and swings the old bones around, viewing them from a different angle to build a different brontosaurus. It does so in a spirit of fun, and with the intention of a little saucy iconoclasm. Shakespeare's works are unassailable, and will survive any amount of subversion, but by playing with our commonplace history, Rodney Bolt argues that the quasi-religious idol the man has become is perhaps in need of the efforts of a wicked woodworm.Where other writers have looked at the evidence and deduced a story, Bolt has imagined a story, then supported it with the same sparse evidence. At this distance, the difference between deduction and speculation is paper thin. The point of the take is not only to question our view of history and the validity of biography, but to show how people travelled, how cultures crossed, and how art gets made.

August, 1755. Newcastle, on the north bank of the Tyne.In the fields, men and women are getting the harvest in. Sunlight, or rain. Scudding clouds and backbreaking labour. Three hundred feet underground, young Charles Hutton is at the coalface. Cramped, dust-choked, wielding a five-pound pick by candlelight. Eighteen years old, he’s been down the pits on and off for more than a decade, and now it looks like a life sentence. No unusual story, although Charles is a clever lad – gifted at maths and languages – and for a time he hoped for a different life. Many hoped.Charles Hutton, astonishingly, would actually live the life he dreamed of. Twenty years later you’d have found him in Slaughter’s coffee house in London, eating a few oysters with the President of the Royal Society.By the time he died, in 1823, he was a fellow of scientific academies in four countries, while the Lord Chancellor of England counted himself fortunate to have known him. Hard work, talent, and no small share of luck would take Charles Hutton out of the pit to international fame, wealth, admiration and happiness. The pit-boy turned professor would become one of the most revered British scientists of his day. This book is his incredible story.

Sarah had lived in fear for over a decade. Humiliated, ostracised and brainwashed, her spirit had been crushed. But as the realisation of what she was subjecting her children to began to sink in, she found new strength and determination – the strength to try to escape the world that had consumed her for so long.Sarah was never a troublesome child. She smoked and drank a bit when she was underage, and shoplifted once, but she was generally well-behaved and didn’t mean to upset her mum and dad. But Sarah’s parents had seen first hand what could happen when a teenager went off the rails. Scared the same would happen to Sarah, they sent her away, many miles from home, to a church school that would put a stop to her bad behaviour.They had no idea they were sending Sarah to a place where she would be forced into obedience – a place that sanctioned force-feeding and beating in order to smash a child’s will. They had no idea she would end up marrying a boy from the cult, and cutting the rest of her family out of her life. Or that she would begin to treat her own children in the same way – believing there was no other option, and that everyone in the outside world was evil.But she did. And the day they sent Sarah away to the little church school miles from home was the last time they saw their real daughter for over a decade. Until one day when Sarah found the courage to fight back, the strength to protect her children and bravely venture into the world she believed was full of evil.This is Sarah’s story – the shocking but ultimately inspiring true story of her struggle to save her children from the suffering she was forced to endure.

Family is not always a place of safety.Kathleen was just eight years old when her mother was tragically killed in a car accident. And when her father remarries it is to the bitter and resentful Irene who has two children of her own and no space in her heart for another. Irene goes out of her way to make Kathleen's life as miserable as possible and will stop at nothing to get her out of their lives…When Kathleen is sixteen, a shocking incident rocks the family, and life takes a darker turn.Among this darkness, Kathleen finds a glimmer of hope in an older man, but Irene is ruthless in her mission to destroy her

It’s 1983 and best friends Vicky and Lucy swear that they will always be there for each other, that they’ll never let anyone come between them. But fast forward 4 years and life on the Canterbury Estate has gotten very messy.Lucy has fallen for local policeman’s son, Jimmy. And Vicky is madly in love with Paddy, the charming but ruthless local bad boy. The boys are bitter enemies and determined to keep the two girls apart. But then Vicky is accused of murder, and even her drug-dealer boyfriend wants her mouth shut, permanently. Maybe Lucy is the only one who can save her…Love, murder, revenge. Who can you really trust when there’s blood on your hands?

The sensational sequel to ‘Papillon’.‘Banco’ continues the adventures of Henri Charriere – nicknamed Papillon – in Venezuela, where he has finally won his freedom after thirteen years of escape and imprisonment. Despite his resolve to become an honest man, Charriere is soon involved in hair-raiding exploits with goldminers, gamblers, bank-robbers and revolutionaries – robbing and being robbed, his lust for life as strong as ever. He also runs night clubs in Caracas until an earthquake ruins him in 1967 – when he decides to write the book that brings his international fame.

Wilde the writer is known to us from his plays and prose fiction, but apparently it was in his conversation that his genius reached its summit. His talk is lost and his autobiography was never written, but his letters reveal him at his spontaneous, sparkling best.Wilde the writer is known to us from his plays and prose fiction, yet it was in his conversation that his genius reached its summit. His talk is lost, his autobiography was never written, but his letters reveal him at his spontaneous, sparkling best.Of all nineteenth-century letter writers Oscar Wilde is, predictably, one of the most brilliant. Wonderfully fluent in style, the letters bear that most familiar of Wildean hallmarks – the lightest of touches for the most serious of subjects. He comments openly on his life and his work from the early years of undergraduate friendship, through his year-long lecture tour in America as a striving young 'Professor of Aesthetics', to the short period of fame and success in the early 1890s, when he corresponded with many leading political, literary and artistic figures of the time. Disgrace and imprisonment followed, but even in adversity his humour does not desert him.In this beautifully produced volume Merlin Holland has brought together his most revealing letters with an illuminating commentary. Together they form the closest thing we shall ever have to Wilde's own memoir.

A TOP 10 SUNDAY TIMES BESTSELLERSHORTLISTED FOR THE 2018 SPORTS BOOK AWARDSLONGLISTED FOR THE WILLIAM HILL SPORTS BOOK OF THE YEAR 2017The incredible true story of four ordinary working mums from Yorkshire who took on an extraordinary challenge and broke a world record along the way.Janette, Frances, Helen and Niki, though all from Yorkshire, were four very different women, all juggling full time jobs alongside being mothers to each of their 2 children. They could never be described as athletes, but they were determined to be busy and the local Saturday morning rowing club was the perfect place to go to have a laugh and a gossip, get the blood pumping in the open air, and feel invigorated.Brought together by their love of rowing, they quickly became firm friends, and it wasn’t long before they cooked up a crazy idea over a few glasses of wine: together, they were going to do something that fewer people than had gone into space or climbed Everest had succeeded in doing. They were going to cross 3,000 miles of treacherous ocean in the toughest row in the world, The Talisker Whisky Atlantic Challenge.Yes, they had children and husbands that they would be leaving behind for two months, yes they had businesses to run, mortgages to pay, responsibilities. And there was that little thing of them all being in their 40s and 50s.But two years of planning, preparation, fundraising, training and difficult conversations later, and they found themselves standing on the edge of the San Sebastian harbour in the Canary Islands, petrified, exhilarated and ready to head up the race of their lives.This is the story of how four friends together had the audacity to go on a wild, terrifying and beautiful adventure, not to escape life, but for life not to escape them.

A full and revealing biography of one of the century’s greatest English writers and an icon to a generation.Dame Iris Murdoch has played a major role in English life and letter for nearly half a century. As A.S.Byatt notes, she is ‘absolutely central to our culture’. As a novelist, as a thinker, and as a private individual, her life has significance for our age. There is a recognisable Murdoch world, and the adjective ‘Murdochian’ has entered the language to describe situations where a small group of people interract intricately and strangely. Her story is as emotionally fascinating as that of Virginia Woolf, but far less well known; hers has been an adventurous, highly eventful life, a life of phenomenal emotional and intellectual pressures, and her books portray a real world which is if anything toned down as well as mythicised. For Iris’s formative years, astonishingly, movingly and intimately documented by Conradi’s meticulous research, were spent among the leading European and British intellectuals who fought and endured World War II, and her life like her books, was full of the most extraordinary passions and profound relationships with some of the most inspiring and influential thinkers, artists, writers and poets of that turbulent time and after.Peter Conradi was very close to both Iris Murdoch and John Bayley, Iris’s husband, whose memoir of their life together has itself been the subject of an enormous amount of attention and acclaim. This will be an extraordinarily full biography, for there are vast resources in diaries and papers and friends’ recollections, and while it is a superlative biography it is also a superb history of a generation who have profoundly influenced our world today.